The method of the Dudud Apato of Comedy Filming, where the actors are encouraged to riff and/or repeat lines fed off the camera by the director, tends to shame on wealth in the editing room. What else would you expect when you gathered so many incredibly funny people, many of whom cut their teeth into improvised troops? These people are trained to continue the scene to "yes" and in our age of digital cinema, you can literally afford to let them run wild before moving to the next setting.

There are disadvantages to this approach (sometimes you just would like to enjoy a witty, concisely written scene where you can't see the actors improvise gears), but the biggest problem for directors working in this loose light is to decide what to cut . To know when and where to kill your pets is what is separated Comedy classic as "40-year-old virgin" From the brutally inflated dramara like "This is 40" - and while I rarely prefer the extended reductions to even his good movies, I think the Apatou aspires directors service showing what it looks like too good.

If you are looking for a perfect case study of a beautiful darling killed, do not look away from the deleted scenes from Paul Feig's "bridal brides". Produced by the Apatou and written by the ingenious duo of Annie Mumolo and Kristen Wiig (All the greetings "Barb and Old go to Vista del Mar."), the comedy for a single woman, who goes funny on the eve of her best friend's wedding is loaded with unusual pieces. At a healthy 125 minutes, it is impossible to know what to reduce; You may be tempted to cut some of the riff scenes, but as is not always the case in such films, they either move the plot forward or provide a key character development.

How good is the "bridesmaid?" It's one of the best comedies since the 2010s, though Feig cut off his most ridiculous scene.

When Feig began shooting "bridesmaid", I sincerely doubt that he looked at the script of Mumo and Viig and marked a blind scene on the date between Viig and Paul Rudd as a moment intended for the floor of the cutting room. In retrospect, not knowing nothing about the development of the script, you can see the film constituted and wonder why they even struggled to record the sequence. Why will Annie on Viig use the already complicated Lovebodian life by coming out with a full stranger - especially when, from a narrative perspective, the audience has already identified Chris O'DUDOD Nathan's copywriting policeman as obvious mr?

It makes no sense, and that's why the stage is gone. But when Feig said of a weekly fun"It was one of the funniest things I've been a witness," he didn't lie. As you can see on YouTubeThe date begins with Viig and Rudd having dinner in a beautiful restaurant, where they hit him glorious. Rudd is a psychologist who treats people with stunning tendencies and seems to be really in his job. It seems like Viig likes it, and because he is Rudd, and we. Then go ice skating. While showing each other, Rudd descends and gets the top of the finger that crashes the child innocently making circles around the arena. He immediately goes nuclear, blaming everyone for amazement. In the end, he mainly picks the boy who injured him, resulting in the fact that the child's father hits him out. This is not a masterfully constructed scene with a screw or whatever, but that is screaming funny.

And that is exactly where it belongs: in deleted scenes roll on Blu-ray. And let's hope that the potential sequel "bridesmaids" It remains where it belongs: in Mumolo and Viig's smartphone notes.