Ever since the release of "Tron: Legacy", the prevailing download of the film has been that it is a film whose main appeal is its result. While the film is rethinked from late And there are such "throne" fans who have always believed that it is incredibly inventive, careful and emotional monitoring of the original in 1982, there is no denial that the result of "inheritance" is not only fantastic, but is incredibly influential. This is because the primary composers of that result are The legendary French touch electronics duo, duff punk. By the time the band wrote the result of "Heritage" (which was orchestrated by composer Josephosef Trapanec), they had already climbed the graphs in the last 15 years. Although they made only five studio albums (with Legacy is fourth), their impact on the house, electronic, dance, pop, and even hip-hop genres were immeasurable.

The result of Daft Punk for Tron: Heritage has become practically synonymous with the franchise. Although Legacy's appropriate extension lasted 15 years to make, stoppers within the franchise, such as Disneyland's "electronics" event and driving "throne lights" or used the punk punk result or had original material that sounded like it. Although the fans were understandably disappointed when it was announced that the long -awaited "Tron: Ares" sequel would not include the result of Daft Punk, only expected, given the duo crumbled in 2021.

Their replacement is certainly no degradation, however, as It has been discovered that no one other than nine inch nails. Now, when "Ares" and his album are released, it is obvious that NIN has chosen not to use any of the thematic material of Daft Punk and that their result has no same sound. This is a good thing, as it not only gives Ares his own unique sound identity, but also continues the "throne" tradition of electronic music innovation.

Throne films are more speculative and philosophical works of science/fantasy than emotional stories. The original 1982 filmWritten by director Steven Lisberger and Bonnie McBir, they tried to support Lisberger's interest in pushing the animation craft, computer -generated images and aesthetics of video games forward. Part "Alice in Wonderland", part of the "Wizard of Oz", and part of the "Starwells War", tells the story of a computer programmer and video game designer, Kevin Flynn (EFFEF Bridges), which is literally drawn into the world of computer programs and helps them fight the Fast -based system. Regarding the heavy technology and images of the film, it was a result of a similar, as electronic musician Wendy Carlos, who used a combination of analog and digital synthesizers to create a result. (The trip also wrote two original songs for the movie.)

Although Carlos wrote the main theme of "Tron", Duff Punk chose not to use it for their "inheritance" result. . Hedlund) Discovers that his long-mission father did intentionally abandon him, and has been stuck inside the grid for many years at the behest of a Rogue Program, Clu (also bridges, in one of the first cases of operating technology). "Legacy" includes several signs that have returned to the dance roots of Daft Punk (namely "Derez" and "End of the Line"), but the result is built around the main main theme that is reinforced with a special electronic synthesan sound. It is strongly thematic, allowing its textures and melodies to be varied along with the structure of the film film while they feel the whole piece.

NIN is made up of Trent Resor and Atikus Ross, who have become fruitful film composers on their own, providing an all-electronic result or that of the vocal of the reservo, as the work of the duo of "bones and all" and "triggers" proves. As it turned out, the intention behind NIN was attributed was not just an ordinary marketing trick. The sound of music is clear nine inch nails: Industrial, electronic and cook. At times, the result has a propulsion technological rhythms that are similar to punk -punk punk, brought to "inheritance", but here ends the overlap between the results.

Joachim Rinning wanted NIN for Ares because the film has a twist on the structure of the first two Throne films: instead of a character enters the world of computer, vehicles and programs of the computer world appear in the real world. As Reinning said to discuss the film, NIN sounds best is an example of "two different worlds", and you can hear the NIN industrial massacre, as part of the result, as previously heard in their other songs such as "Pig Marsh" and "Perfect Cure". This collision also appears at the level of the character, also because the program, Ares (Arred Summer), begins to become self -conscious and to include its creator, the unscrupulous Ianulian Dillinger (Evan Peters). Ares is someone Jululian has programmed to be born in the real world and die half an hour later, and the process of de-recruiting has been proven unpleasant. Hence, the signature of the Resorn tight time in combination with Ross's synthsed synthes, creates the perfect expression of such a tormented being.

While the merits of all three throne films exceed only their music, there is no doubt that their results do a lot of difficult lifting. The fact that each result is characteristic is not a mistake, but a characteristic. One of the themes of the films "Tron" is a celebration of evolution and diversity. These films do not inspire them because they remain the same, but because of how unique they can be. Thanks to NIN, Tron: Ares continues this tradition.