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Back in 1991, Amblin Fun was already dealing with buying film rights of Robert Jamesei Waller's romantic novel "The Madison County Bridges", which was not released until 1992. Some executives knew it would be a cow of cash, and the film adaptation entered the pre-production almost immediately after the Amblin used it. This was supposed to be a prestige project for a remarkable director. Amblin just had to find the right one. However, the project soon after the development of hell (as Fun weekly He reveals back in 1995), passing through the hands of many directors and writers, all eventually turned out.

The story goes that Clint Eastwood was asked to direct "bridges", " Almost on a whim, from the chair of Warner Bros Terry Semel. Eastwood had an open schedule and simply replied: "Give me 24 hours." Then, he boarded an aircraft and headed for Iowa (where the movie takes place) in order to take a few pictures of bridges, make a little scouts on the site and feel good about the movie. The next day, Eastwood returned, saying he would do it. He even had a budget and a shooting schedule ... and his budget was $ 1.5 million less than Warner. Of course, the WB was facilitated and told Eastwood to go after that.

Eastwood, we need to remember, is a director without nonsense. He does not want to direct his actors carefully, expecting them to perform all their homework ahead of time. He also tends to lower the camera by instinct, making one or two downloads, and then continues. Several well -known actors have expressed amazement of How much is the hands of Eastwood as a director. His approach without moving movies even caught Meryl Streep out of guard.

Comic Starswells in "Bridges" like Francesca, a lonely Italian housewife, who - in 1965 Iowa - has a short, passionate affair with a tight photographer (Eastwood) while her husband is out of town. In John Levi's biography "Clint", as covered by TimesComic came out on the record, saying that Eastwood unexpectedly included all her "mistakes". But she implied, it was in favor of the film.

It should be remembered that the "bridges of Madison County" were a significant blockbuster, falling immediately in the mid -summer of 1995. This was the summer of "Braveart", "Apollo 13", "Cluil", "Casper", "Batman forever" and "Pocahontas". And in the middle, Bridges made over $ 175 million in the box office against a $ 22 million budget. Moreover, it was a prestigious picture, posting the nomination for the Best Academy Awards Actress. It is not celebrated like some other films mentioned, but it was one of the unexpected stories of year success.

Eastwood, as stated in the Times article, took much of his directorial style by Don Siegel, director of "Dirty Harry" and more other films in Eastwood. It seems that Siegel was not very interested in waste, and Eastwood appreciated it. Eastwood was in business two decades before directing his first feature, and took over Siegel's approach: throw your actors, find the locations, lower the camera down, shoot and then proceed. That type of method does not allow the actors to find their character through a rehearsal and error, however, and does not give them multiple downloads to unlock the scene. Sometimes his shooting style felt a little unhappy with the actors, but he was always on time and under the budget.

Case in point: Comic was a little stunned when he finally looked at the final cut of "bridges". She expected Eastwood to use certain downloads, and it seems that the director used different lasting every time. "You know what I want?" Comic was quoted. "You have used all my mistakes."

The resulting film is natural, almost eternal. It has a shaky quality for adult romance films, but there is also an accidental sense of quiet fever. Like many Eastwood movies, it's dramatically gentle. And, even if Comic thought that Eastwood was just using her worst, it wasn't enough to prevent the Academy from nominating her performance.