Although the fathers of the world may disagree, Taylor Sheridan is not the only party to keep the western alive and well in 2025. Outside the growing Empire of the architect "Yellowothiston" on horse operas, there are many other entries in the genre that have something important to say. Some of these contributions continue the revisionist trend of detecting dark truths in US history (as is the case with Brutal Western TV -Drama of Netflix "American Primoden"), while others have the form of neo-Western research on the eternal struggle between justice and power in a more modern context. But what about the one that examines this conflict from less traditional (iteus' way to say "Johnon-Vain-type-driving-in-for-wee-day") perspective?

Enter "Dark Winds", the renowned AMC small screen adaptation to LEAPHORN & CHEE's best -selling novels to the late Tony Hilerman. The show boasts a noticeable caliber of the talent behind the scenes, the most important executive producers George RD Martin and Robert Redford (which even Share a fun scene of the series before going to Redford this year). But it is the colleague of the duo EP and the star's starfish, Zan McClarnon, who really deserves to give their flowers for the thriller/drama reputation. It's double correct if you mainly know the actor for his order as an easy officer large The wonderful drama Sterlin Harjo's series "Dogs for Reservation".

Far crying from Big (who would not feel a stone comedy, which is confirmed by his involvement in some of the episodes of Zannier's show of Harjo), McClarnon's tribal policeman, OEO LEFIN, is carrying the weight of the middle -year -old man who has spent his life. He also suffered his part of his personal heart rate on the road, as those who got caught in the series "Netflix's previous seasons could tell you.

Considering in the 1970s, "dark winds" followed Lephorn while supporting the law in the four corners, an area in the southwest of us, which primarily belongs to a variety of indigenous American nations. (Okay, indeed the whole country "belongs" to indigenous Americans, but you follow my meaning.) At its core, the show is a friendship story of Lephin and Jimim Yi (Kiova Gordon), the younger and co -operation FBI agent who eventually becomes a former partner. However, narratively, "dark winds" is usually played as a slow-burning crime thriller, which is less concerned with Leyforn and will fuel mutual chops-although they do it as well as and more focus on the suffering of his characters, whether they fight moral dilemmas.

To that point: "Dark winds" is at best using neo-Western/criminal trops as a springboard to handle topics that are close and dear to the hearts of its waters. Whether it's the death of one's child or sterilization of indigenous women without their consent, the creatives of the show (including creator Graham Roland) never hesitate to increase when certain stories call it. In fact, most of the strongest below -tunes of the series relate to women in the life of Lefun and Jei, more precisely Emma (Dejana Allison), a nurse and wife of Leforn and Bernadet Manuelito (Essica Meten), a sky officer, who shares more than Iskra.

Despite some unusual stories at times (some of which, of course, derive from the source material of the show), "dark winds" are careful, well-acted and otherwise engaged in the current neo-western landscape. Sheridan's Oaters may attract the attention of the lion, but do not let this slip.

"Dark winds" are streamed at AMC+ and Netflix.