Indiana Onesons debuted in Indiana Ons: Thieves of the lost casket "in 1981, but he shaped almost a decade before George Lucas's mind. Any Indy fan will know that, with Indiana Onesons, Lucas was trying to rethink the Series of Rko's adventures that he loved as a child, but there was much more to create the character and his first adventure. Lucas dreamed of Dr -Henry Onesons Runior in 1973, but it would take some time to really define a bold archaeologist. For one thing, the director was busy with a small film called "Starwell War", but even as he brought his seminal space opera to use the idea of ​​indie, and with the help of several associates, he finally became the iconic character we all know and love today.

One of those associates was Jimim Sterko, whose original concept art for 1981 "Indiana Ons: Thieves of the lost casket" Muscle tied indie is shown more similar to the super-opera action heroes that will dominate the decade in which he debuted from the version that Harrison Ford eventually portrayed. Otherwise, Lucas had the help of his longtime friend and director "Indiana Ons: Thieves" Steven Spielberg, who came to define so much of what we think when we think of Indiana Onesons. There was also writer Lawrence Casdan, who wrote the script "Indiana Ons: Thieves" with masterfully filling the gaps between Spielberg's and Lucas's ideas for pieces. But there was a collaborator who is not so much mentioned, although he is responsible for some major changes in Lucas's original vision: Philip Kaufman.

Another longtime friend of Lucas, Kaufman, met with the creator of "Starwells War" for three weeks in 1975 and during that time he came up with some great ideas that ended up in Indiana Ons: thieves. For one thing, his idea was to have the casket of McGufin's film, but he also made some changes to Lucas's original concept for the character, especially by making Lotario less than dirt.

Indiana Onesons is the result of a combination of broad influences, by Fred C. Dobus of Humphrey Bogart in "Treasure of Sierra Madre" and Harry's style of Charlton Heston in the "Inca's Secret" in 1954, to the Jamesesheim Bond himself. In fact, Steven Spielberg's Indy's films are basically respect for 007 director Easter egg connection in "jaws"), with films borrow all sorts of tropes and ideas from the largest spy in the UK. In "Indiana Onesons and the Temple of Doom" in 1984, there is even direct respect for Goldfinger since 1964, with Harrison Ford to donate the same cream tuxedo and red flower as a sponge to John Connery from the starting segment of Bond's third film. In the sequence, Indiana Onesons visits the Shanghai club, Obi-Wan, before making a quick escape with Willie Scott (Kate Kapsho) and a short round (Ke Hugh Kuan). As it happens, this nightclub version of Indy with an attractive blonde on her hand was not only Kim to 007, but it was something much closer to the character's version originally predicted by George Lucas.

It seems that during the 1975 Lucas and Philip Kaufman meeting, the second suggested an indie change that would actually make him a little less like Bond. The writer and director, known for "The Wanderers" in 1979 and the 1978 remake of "Invasion of Body Grabers" among many other projects, had some great ideas for Indy. According to Richard Shikel in 1981 Time The "Indiana Ons: Thieves of the lost casket", the original concept of Lucas was a rich female playboy, but Kaufman stepped down and reduced that element of the character. As Shikel tells, Indiana Onesons was originally a college professor who would spend his nights in clubs with "pictures", blonde in the 30's "on every hand. But when Kaufman turned on, it was removed.

After Philip Kaufman made his changes in the concept of George Lucas, Indiana Onesons will go through a few more changes before becoming the character we recognize today. Before being confirmed as a director, Steven Spielberg changed his surname to Smith in Onesons, and while Lucas initially wanted Kaufman to direct him, the director was already dedicated to the western part of 1976 "Outlawos Wells". Even after Spielberg was handed into a gig, Indiana Onesons has undergone multiple changes. For one thing, Tom Selek was initially thrown and perfectly captured Macho adventurers foreseen in Jimim Sterko's work of art. When Selek had to get out of "Indiana Ons: Thieves", prompted a redesign for Harrison Fordwho further developed the character in more than any hero.

All this added to create one of the most successful and culturally influential figures of 20th -century pop culture. Would that be the same if Kaufman never tried to tame the femininity of indie? That would certainly allow Spielberg to indulge his Loveube to the Jamesesheims Bond, but could also work against any charm Ford brought to the table. As such, making indie even closer to the bond's personality, it would probably have been a respect for too far. Ford predicts the feeling that Indy miraculously escaped a certain death with pure happiness, which was part of what made the character unique despite his multiple influences, and to make some kind of female Devian nightclub, it seems to undermine that aspect.