This article contains spoilers For "foreigners: prey at night".

Renny Charlene's "The Strangers 2" is now in cinemas, but the sequel to horror is wide by critics. /The movie Rafael Motomayor called the middle entrance to the proposed trilogy "The wrong step" In his reviewAnd yet he is extraordinarily kind. Not only does Jarlin wrong understand what makes foreigners starting to start with it, he does not have the confidence to really go wildly with his deviations. It's all so nonsense and lazy, but fortunately, there is already a great sequel to "strangers" that you can see for free (with ads) right now on Tubi.

Posted in theaters a decade after the 2008 domestic invasion of Brian Bertino. Some critics have praised "spoils at night" for his visual bloomsBut that was largely rejected when compared to the more basic original. Let me be the person who finally has a platform to say that not only is it a sequel directed by Johannes Roberts better From the original, it's flat one of the best slashers of the 2010s. If you think I sound crazy, then imagine how I had to justify this position for myself in 2018.

Instead of gathering the same thread story from the original, "Foreigners: Early at night" instead of a family that stops in the hidden trailer for the night of the road to bring Kinsey (Bailey Madison), a teenager's daughter, to a boarding school. Initially it follows the conventions of the first film with the same malicious kick on the door, which makes sense as Bertino returns to co-write on the script with Ben Katai. But the "play at night" wisely falsifies his own bloody path that sets it apart from the most closer sequels in some pretty important ways.

The enigmatic Tamara seems to be never at home, but the three masked foreigners known as Dollface (Emma Belomi), PIN-AP GIRL (LEA ENSLIN) and the man in the mask (Damian Maffei)-I will call them a sacred to avoid confusion. I think it is very fuel to testify to the whole family inadvertently ringing the Bellevon for the killer's dinner rather than a hidden couple. They are an emotionally broken pile, which unfortunately gathered by surviving the night. Roberts wisely takes place from slow burning home invasion horror to Moody Slasher without losing the middle string of the original.

It also helps the actors play strangers to wise to demonstrate shiny people under those masks that make them feel really singular. Sakhed has been lost without some pop men's 80s to accompany his long-term killings, the PIN girl wants to be an attractive opportunity, and Dolfface accepts the intimacy of her killings. The way she is slowly creeping on Cindy of Christina Hendrix with a knifeWhile Cindy still holds her daughter's hand, she probably makes the shocking early death as disturbing as the end of the first film, if not more. That's when the closed Kinsey crumbles the Wallsids and begins to call it "mommy" as the knife goes in that it becomes a truly frightening movie moment.

Another feather in the "prey in the night" cap is how stylish it is, with foggy night kits that you can actually see, split shots from diopter and long voyage towing. The trailer park is a fun playground for a weaker movie killing that provides many great opportunities for running, hiding and struggle - with its best -laid piece that serves as a movie lynching.

"Foreigners: Play Night" kicks at high speed when Big Brother Luke ("Thunderbolt*" star Louis Pullman) makes it to stand in the field of trailer parking pool. A flip on the switch and neon lights wash the place in glossy colors. Only when you think the Pin-up Girl is before the fall, Luke gets his upper hand with his striker's golf club and his knife. This is where the "Play at night" finally opposes the killers, and the film rises as a result. The After the battle with an ax Between Luke and Sakhed is intense and heart, as "the total heartbeat" of Bonnie Tyler and Jimim Steinman highlights their struggle in the pool.

"Play night" is a rare sequel to a horror franchise that is not afraid to kill its cash cows in favor of what makes sense for the story. We are conditioned to accept strangers as machines for apathetic killings that always get the upper hand, making it even more engaged when they begin to receive a cathedral taste to their own medicine. The last 10 minutes can stimulate your probability of the damage that Sakhed can take, but the inclusion of visual references to Johnon Carpenter's "Christine" and Texas Chain Massacre by Tobet Hawper who manage to no Feel that it is certainly a point in favor of this weak.

"Foreigners: prey at night" is currently moving is a bathtub.