Why the renewal of cult films is a public service, according to the legendary horror director Oeo Dante (exclusive)

There is a quiet but disturbing change that occurs in the streaming era - one that threatens not only the business of entertainment but also its legacy as a whole. Whole movies and series, sometimes years of making, are deleted from overnight platforms. Not because they are controversial or because they have "failed", but because their studies can write off for a tax break or any other reason they give to justify it. That's it. One executive decision and something that dozens or hundreds of people spilled in just ... disappears.

What worsens this is that sometimes these titles have never been posted on Blu-ray, DVD, and even available for download. They lived exclusively on the server - and now they live nowhere. There is no dust tape hiding in a video rental store. There is no disk to stumble into the sale of a garage. Only silence, as it never existed at all. It is a dark reminder of how fragile media become when there is only in the cloud. When you do not own what you see, someone else will decide whether there is tomorrow. And, if you care about the survival of strange, bold, immediate stories - a kind found to find a new life as cult classics - This should scare hell from you.

Fortunately, a savior exists in the form of domestic media companies interested in restoration, preservation and distribution of cinema. Even the ordinary lubiter of the film is probably familiar with the collection of criteriaBut some of the biggest guardians are those who specialize in genre cinema, such as the cult and horror, the sub-brand of the "Shot" factory, A scream plant. To mark its 13th anniversary this year, the Skir Factory held an event in Los Angeles showing the OEO Dante's "Pirani" screenings and the world premiere of the new 4K Restoration to George A. Romero. I was privileged enough to talk to Dante about his relationship with the company that returned and distributed his films such as "Pirani", "Burbi" and "Researchers" and he called what they do at the Creek factory By holding physical media alive "Public Service".

The Creek factory makes cult films look better than ever

I interviewed OEO DANTE in front of the video -Vidototti's shop in Los Angeles, California, to the right of their "no streaming" film shelf that can only be seen if you can get their hands on a physical copy of them. The Creek factory had a pop-up at the back, selling copies of their latest releases, and of course, Dante's work. "You have to remember these boutique labels, as you call them, are the people who take the things that the criteria collection is unlikely to work," he told me. "Although (criterion) has made some unusual exceptions over the years, there are many cult films that you have only used on the web site of the wicked cinema."

For those who are unaware, wicked cinema (what Dante strongly recommends) is an online catalog of B-movies, special plants, horror, exploitation, science and hammer, with a wide collection of titles that borders with definitely. Web site It looks true in the same way as it did when the internet was still in a receptionBut it's definitely part of his charm.

"But these new clothes, including the Creek factory, not only return these images of ambiguity, but also renew them, and they give us the best versions of these films," Dante explained. "Many of us have seen these films in horrible prints or TV all chopped, with separations and scratches and all kinds of things, and now these things look flawless."

Especially now that domestic video experience has become so advanced in its sound quality and image, having restoration of physical media to match God's day. Of course there is a charm of crunchy, shaken quality of old stripes for VHS, but every film deserves to be seen as it should have always been seen.

Companies as a screen factory introduce mass analysis

"Whenever they have a chance, they come back as close as possible to the original negatives, and these pictures have never looked better," Dante said. "And now, when we have the opportunity to show these things at home and look good or better than they did in the theater, as a" piranha "now, it is a public service." After seeing the restoration of the Pirani Creek factory, Dante does not exaggerate here. You've never seen deadly fish dolls look so good.

But improved image quality is not the only benefit for these editions of companies as a scream plant. For example, The edition of the Pirani collecting edition It is exciting because it includes restoration in 2022 on the 4K scan of the original camera negative, but there is also a new interview with Dante conducted specifically for posting, audio comments with a song with The legendary Roger KormanComments on Comments with Dante and Producer Jonon Davison, "Making" Mini-Doctes, behind the scenes, bluers and exits, gallery of peaceful photos and behind the scenes of photos (including pieces of creatures/animators, Phil Tipet), additional films. To love a movie is to really understand, and with these releases, fans are given all the necessary tools to do just that.

Happy 13th anniversary, a scream plant. Horde Fans of Films everywhere (including legend like OEO DANTE) Thank you for your service.



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