The unfortunate reality is that when a person dies, no matter how horrible they were while they were still part of the moral area, people quickly tortured them. Even with the realization that Tilly's father, Daniel (funny sunbathe craig Bierko), was the kind of man who stole money from his ex-wife, called his daughter F-Zbor when he was 11, and lived in his car parked in the track that belonged to his oldest daughter, Viola. When you are the only member of your family that you really interrupted relationships with someone, to be isolated in that experience, you can begin to feel like a heartless spirit, even without the complications of your father "polisher of the house" or terrorizing Jewish exorcism for attention.

The class in just over 80 minutes, "D (E)" is a quick cinema treatment that often confuses the length of depth. Of course, it is a visibly indie film made on a modest budget and filmed in real life homes and actors' apartments, but it just adds to the film's charm and makes its frenetic onm and in camera mirror effects even more impressive. All the characters are fully realized and well defined, and Roland plays right in all his advantages, including her. She even threw Her husband, Brennan Lee Muligan ("Dimension 20")As a customer service representative for the company that handles David's body. Even without sharing the screen together, the comedic and romantic chemistry of Roland and Muligan is out of graph.

Because "D (E) AD" is based on Roland's own process, which deals with the death of her complicated father in real life, and the cast is primarily composed of members of her true family, including her mother (Lonow), grandparents (Mark Lono and Anoan). It feels like looking at the life of a family, because we are. The world in which they presented it feels that it lives because it is, but with a sharp direction of a veteran on TV.

But the film lives and dies - there is no intention of having a penalty - - at Roland's performance. One key scene sees that Tilly goes through the remains of her father's dilapidated apartment, using every emotional force she has in the hope of being enough for his spirit to finally appear in the mirror. It is a moment of fearless delivery for the contractor, the general public is used to making a wide comedy gestures (Roland is responsible for The Google Chrome sequel It allows you to add a friend with cartoons Episodes of Dropout's "Game Gear"), as well as a deeply vulnerable examination of the disorderly process of mourning. It is the emotional essential essence of the dark comedy, and also where the film feels the most cinema.

You can complain someone you love and you can grieve with someone you hate ... and sometimes it's the same person.