The new Hollywood era of the US cinema stretched from the late 1960s to the early 1980s, when Michael Fimino's non -fitness flop, "Heavenly Gate", frightened by the studio away From taking high -risk gambling of films managed by authors. During its peak, filmmakers like Francis Ford Coppola, William Fridkin and Steven Spielberg gave us the films reviewed by theaters across the country. Film to movie, Studio Honhos were not sure what would catch the audience; All they knew for sure is that expensive music sound scenes and traditional Western do not play Johnon Wayne (even then) were generally bad investment.

When we discuss the new movement in Hollywood, we often do not educate Clint Eastwood. He entered the 1970s as the main star Starwar and sent his commercial value dizziness with the violent Don Siegel blockbuster "Dirty Harry". There was no safer bet in the 1970s from Eastwood, but near the end of the decade, the future mayor of Carmel-by-Moreto, California, worried that he was becoming humor, a tough man whose films were inappropriate for younger viewers. So when he was moving through The script of Ereeremi Oeo Cronberg for "every way, but loose", What linked the pleasant, knockout-avent of the fighter of the naked, Philo Beddo and his wrong orangutan Buddy Clide, Eastwood jumped on it-the astonishment of almost everyone in his orbit, including his agent.

Cruenberg's script has taken a more study to the time Eastwood is acquainted with it, so it is understandable that his agent, a home studio (Warner Bros.), and everyone else on his driving train will be waved with the film. However, they rejoiced with an egg full of their faces when the film earned $ 104 million at the $ 5 million box office. What did Eastwood know that not?

It was the really unknown who frightened most of the Eastwood team. With very few exceptions (most importantly the western part of the western Johnon Striges "Oeo Kid"), The Star was on a decade -long winning streak. But as Eastwood said The Guardian In 2003 "It was a movie my agent and everyone else begged me not to do," he explained. "This is after" Dirty Harry "and I made a lot of action and adventurous movies and they said," That's not you, "and I said," Well, what am I? I don't know. " For me it was to get to a younger generation, making a movie that kids could see, with a little less mouth. "With" Mouth ", I believe Eastwood meant" vulgarities ", though, as a child, I remember my mother opposed the rough language when I watched it.

Eastwood's instincts were obviously on the spot (the 1970s were also a golden age for Redink's films). Blockbuster's success in "every way, but loose" led to a sequel to a hit on "Smash", "any way you can", which earned $ 71 million at a $ 15 million home treasurer. But when Kroesberg tried to earn in Sun Eastwood with "Go A appeal! three Orangutans didn't get enough (eight -year -old thought it was an explosion), and thus the new era of the US cinema orangutan to close. I have always wanted Eastwood to apply his revisionism in the career of these crucial films in his film, but I cannot imagine a 95-year-old director who wants to mix it with monkeys nowadays, especially after the commercial failure of Biopic "Better Man" by Robbie Williams-Central "Better Man".