Early in Oscar's film, "Gun van Sant" in 1997 "Good Will of Hunting", Will (Matt Damon) is in jail after violating probation after the fight against the gang. The fight gets out of hand when a police officer hit, you'll see. Despite the desperate situation, the positive will calls the Skilla (mini driver) from the prison phone, hoping to catch up with it after their short previous meeting at a bar. Skilla is still thrilled by the will, but she does not understand where she is. She will also graduate from Harvard and hopes to attend medical school. Meanwhile, Will is a great mathematics-whiz that has repeatedly sabotaged his intellectual career with his temperament and his tendency to be in trouble with the law.

While Will appears on a scalar, another prisoner is pulling through the door and pulling the hallway behind him. The prisoner seems to be slightly zoned and starts shouting strange, flirting at will. It offers sexual services. There is something smeared on the eyebrows. The will - again, very positive - smiles at the prisoner, recognizing him as an erveier, someone who knew him from the juvenile hall during the day. The Averer is then dragged out of the camera and Will, is still resolved, continuing his flirting with Skiller (which is clearly interested).

The prisoner, as some enthusiasts in Indy could be aware, was none other than harmony Corin. When the "goodwill of hunting" was published, Corinn was the most famous as the young writer of Larry Clark's shocking film in 1995 "Children". That film was notorious about his sincere showing of teenagers and the amoreability of the characters. Corinen's direct debut, "Gummo", was then published in cinemas less than two months before the "Goodwill Hunt" and the like shocked the audience with its sincere portrayal of poverty, aggression and sex. Corinn only continued to be intentionally extremely and artistic aggressive In his career since then, directing films such as "Juluulien Dendkey-Momce", "Trash Huppers" and "Spring switches".

Yes, that was he in jail.

Corinen has long been terrible in the film world in Indy, often deliberately trying to anger or rage the audience. This is the man who once made a 40-minute short called "The Diary of Anna Frank, Part II", featuring satanic characters who vomit the Bible and a black face. His style of confrontation was exciting for audience members who, in the 1990s, thought it was high time to stop being iteus and begin to become realistic. "Children" are separated to this dayAnd that is certainly not recommended for anyone under 18 (or 38, for that matter).

Van Sant, who has already exploded on the Indian scene in the early 1990s with films such as "Careboy" and "My Own Private Idaho", only began to achieve the main fame in 1995 thanks to the release of his film with acting Nicole Kidman "to die". He was already helping other significant indie -stays on the rise, also served as an executive producer of "children". Obviously, Van Sant and the young Corinn socialized after that. Van Sant did not produce "Gummo" at Corinen, but he sang his praise when he debuted in Teluru in August 1997. The two directors have always flew in the same herds, so it is not completely illogical for Van Sant to offer Corinen in the "goodwill of hunting". Van Sant's film is just as gentle and smart as "Gummo" was aggressive and Slavic, but the two artists were still looking eyes to the eye.

Indeed, Corin will make another coming-playing "Guy in Club"-in the origin of Van Sant, more experimental Kurt Cobain Faux-Biopical "Last Days" in 2005. Van Sant did not make the camera in any of Corinen's films, but both filmmakers are still active and the possibility remains relaxed.