Director Nia Dacosta certainly left the impression of the 2018 festival circuit With its debut feature "Little Woods". The critically valued independent neo-west was so confidently directed that it would only be a matter of time until her work attracted the attention of the industry as a whole. Like the clock, Dacosta soon found herself falling into the study system with the legacy of Jordanordan Chick, produced by Candiman, but really recorded its shot in the great time by being engaged to direct the "Marveli" of 2023. After Captain Marvel in 2019 became a billion dollar success for Marvel Studios, the sequel was everything, but inevitable. "Marvels", however, was nothing but traditional follow-up, as it had to be a sequel to the film "Brie Larson", as well as "Disney+ streaming" shows "Vandaszi" and "Mrs. Marvel". This naturally exerted a lot of pressure on Dacosta to deliver the best film that could be able to under the circumstances, and unfortunately, it ended up as one of the biggest disappointments of Marvel's universe.

/Film Ereeremi Matai highlighted the most important sides of the film, such as Ms Marvel of Imaman Velani, While criticizing the lack of narrative coherence in the Marveza review. The film itself came out after the Avengers: Endgame where Marvel Studio threw many ideas on the wall to see what would stick, and pulled out. Marwells at best received Midi reviews, and at worst, He held the monitor that MCC's largest flop in the box office. At the time, there were a bunch of pieces that led to the release of the film in which Dacoste unjustly carried the burden of the potential failure of the film. Leading to the arrival of her next film, "28 years later: Bone Temple", the director took the time to think about why the "Marveli" went away (through Hollywood reporter):

"Making the sequel" 28 years later "was one of the best experiences for making films I had. One of the problems I had with Candiman and Marwells was a lack of a really solid script, which will always make the chaos of the whole process. "

Marvel Studios is not foreign to have problems with the script, with some of its films even getting into production without one finished. (I certainly hope that Marvel doesn't make that Again, especially with, say, a movie "Avengers".) With "The Marvels", however, it seemed that the script turned from a sequel Captain Marvel into a team film. Despite the Dacosta co-writing of the project with Megan McDonell ("Vandavision") and Elisa Karasik ("Loki"), the finished film is found as a well-known case of too many chefs in the kitchen.

It was no secret that Marvel Studios was throwing Dacosta under the bus when it began to turn out that the "mons' would not meet expectations. A few years later, director "Little Woods" is now able to sincerely think about her experience in making the film, highlighting the difficulty of making a movie under the watchful eye of the Marvel machine (through The deadline):

"They had a date and they were preparing certain things, and you just have to rely on the hardcore process. The way they make those films is very different from the road, ideally, I would make a movie, so you just have to rely on the process and hope for the best.

Part of what makes "Marvels" so frustrating is that the closer of three MCU super women in the Superhero Superhs movie sounded like a real fun time. Unfortunately, the film is a huge structural and narrative chaos that cannot decide whether to rely on its scientific pulp (à la the Singing Planet of Aladna) or deal with its contracting responsibilities for world building. Dacosta, for her part, is more than aware that her voice is lost in the early stages of film production:

"It was interesting because there was a certain point when I was like," Okay, this would not be the film I was filming, and even the first version of the film I was filming, "so I realized that this is now an experience, and it's a learning curve, and it really makes you a stronger as a director in terms of your ability to move."

While some filmmakers like Jamesesheims Gun ("Guardians of Galaxy") were able to make great MCC movies with a visible identity, it is almost impossible for newcomers to put their stamp on something that are running throughout the number of Departments in Studios Marvel. It cannot be totally singular because it must fit in the breath of MCU, but at the same time, films such as "Thunderbolts*" have proven that franchise installments can be for something other than setting up what follows next. That said, I think it's funny that one of the biggest settings for the upcoming "Avengers: Doomsday" (Post-credit scene by Marvesa) was included with a film that the audience did not go out to see.

However, Dacosta seems to have used its complicated experience as a learning tool that enters its next few projects. While he may have found himself directed by another franchise with the middle chapter in the current trilogy "28 years later", it would be exciting to see Dacoste returning to her dramatic roots later this year with "Jeda".

Marvels is currently moving to Disney+.