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Matt Damon's best story led to his worst decision as an actor.

Damon received two nominations for the Academy of Best Actor (one for "hunting goodwill" and the other for "Marsejan") and the other for the best support actor (in "Invictus"), and it was never serious in running any of them (though, if I was an AMPAS voter, he would have been My choice in 2016 for Marsian Above his "departed" foil Leonardo DiCaprio in "The Revenant"). Damon has in it to win an Actress, and one day he can one day find the role that gathers all the unusual but still photogenic qualities that make such an actor that can be seen (I Once wrote a book about George ClooneyA handsome man and a terrible performer and gladly wish my employer asked me to think of the far unpredictable Damon).

Damon has an Oscar, however, And it's about co-writing "Goodwill of Hunting" with Ben Affleck. He could have won the second original Oscar scenario years later for Manchester by the sea, but made two artistic stunning decisions that ensure that there is only one shot to take home to the Academy Award for this particular project. In doing so, he took a producer of a movie credit that was supposed to win the best picture, but it seemed a script and nomination for actors because he wasn't out of the control star Ego.

"Manchester by the sea" is the most unusual tragedy That I've ever seen it. Damon took advantage of the idea for this project with his associate "Promised Land" Johnon Krasinski, but it was just a vague sketch for an alcoholic that works through some emotional trauma. Kenneth Lonergan, One of the Greatest Scenarists on the Planet, Who was robbed of a best original screenplay oscar for "You can count on me" BeCause People Loved the SEXUAL CONSENT FANTASY OF CAMERON CROWEE' Showbiz Lie "Almost Famous," and Wound Up in a Litigious Mess (By Doing Business With the Deeply Unprincipled Producer Gary Gilbert) Via Masterful 2011 Drama "Margaret" He deals with sexual behavior that would be considered a cultural ritual of the passage in "Almost Celebrity"), spending several years turning the idea of Damon and Krasinski into a masterpiece. By the time there was a finished scenario, Damon wanted to act as a traumatized protagonist in the direction of Lonergan.

"Manchester by sea" would be Lonergan's third film and he worked under significant pressure, given Margaret's financial failure. Damon's involvement was crucial to pulling out the film from the blocks, but when Damon's availability put a delay in the film's annual production, he handed over the leading role of Casey Affleck, a longtime friend and, according to his mind, the only actor capable of making Lee's image.

Lonergan's gifts as a dramatist-tragedian, humorist and direct humanitarian-make Manchester by the sea "only fatal experience (Therefore owns a 96% fresh rating of rotten tomatoes). The film gives its protagonist a hopeful finale, but it is not the one you can trust. You want to believe that he will stay in his nephew's life, but the drain occurs. Hopefully, the terrible reconnection with his ex -wife (Michelle Williams) will free him from his self -destructive tendencies, but he is likely to end up somewhere in the middle. When I say, "I can't beat it," I hope it is about clearing it up in the city. But he has no real prospect of his nephew, which is a source of shame for Lee. Maybe things are getting better. Maybe they get worse. Affleck played this part well, but Damon would make a meal of this role.