The late David Lynch He was born in Misula, Montana, in 1946 and raised by a father who worked for the Ministry of Agriculture. He spent his childhood driving through the woods with his father and settling in the place, the suburbs of the 1950s in cities such as Specter, Washington, Bois, Idaho and Duram, North Carolina. His childhood provided an idealized portrait of what we could now think as a "classic America". You can see elements of lynching in his films, such as "Blue Velvet" and TV -Hens, such as Twin Peaks.

Of course, "blue velvet" and "Twin Peaks", as can be seen immediately, have been harsh warnings since the 1950s America. "Blue Velvet" can take place in a light world of neatly sliced lawns and piquet fences, but there is rot, crime and kinky sex just below the surface. The city of Twin Peaks can be full of sweet, unusual, locals of drinking and pie, but there is abuse, incest, drugs and minor sex work in every third house. Lynch may have been raised in typical suburban homes, but he knew there was repression, crime, scandal and sadness lurking around every corner.

The pop media from the 1950s were not always as easy as his white suburbs. Indispensable critics may assume that all media since the 1950s were square and unavoided, a sea of "Leave it to Beavers" and "Ozzy and Harriets". Those who are familiar with some of the melodramas nominated for an Oscar for the decade can tell you that the directors have repeatedly tried to push the envelope, dealing with abuse, racism, sex and horror that lurks in the suburbs; Just watch the "street named wish" of Elia Kazan or "Written in the Wind" by Douglas Sirk. Jack, watch Ed Wood's "Glenda or Glenda", an incredibly open mind, a progressive movie about trans-experiences. If you are a fan of David Lynch, definitely see Mark Robson's Best Picture candidate in 1957 "Payton Place". Lynch and his Twin Peaks co-creator, Mark Frost, have admitted that Payton Place is the primary impact on their show. They said so in Oral History of Fantality Our City.