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Wayon Wayne made nearly 200 films during his life, becoming a real icon on the big screen in the process. He is less known for his TV career, of course, but that does not mean that he has never been shared to appear on the small screen. In fact, he appeared on the small screen throughout his life, making numerous performances on a variety of shows, including the role of the 1960s episode from the long-standing Western series "Wagon Train". There are also multiple styles of Wayne on the seminal sitcom "I Love Lucy", in which he mostly played in situations when he became a victim of various farms. Less well known is The secret arrival of the Duke of "Gunsmoke", The western show that almost showed the actor in the lead role.

Indeed, Wayne was offered the role of legislator Marshall Matt Dillon at Gunsmoke, but he refused. AresiMs Ares was subsequently thrown as a character, mostly thanks to Waynewho recommended it for the section. (Interestingly that, enough, Wayne later starred opposite Ares in the movie "Hondo", which led to Spin-off TV ... not that we would catch Wayne in the small screen version.) So why did the Duke spend what will become one of the most influential western shows ever made? Simple answer: He was not interested in heading a weekly Western TV series.

In fact, although he will appear in episodes of various shows, the legend of the screen seemed to maintain his aversion to acting in a TV series during his career. He was clearly not a particular fonduator of the idea of a major role in something episode, especially if it was western, and "Gunsmoke" was just one of the earliest examples of his anti-mall stance on the screen.

With the 1970s "Swing, Sweet Land", Wayne starred in his first television special Newoux Times Called "patriot of patriotism". The small screen event shows more vignettes showing various moments in US history and had a series of large era stars, from Jackec Benny to Lucil Ball. Wayne hosted the special, leading viewers around the map of the United States and delivered patriotic salaries with a dose of humor sprinkled to keep things. However, it would not be the last time it blessed the small screen with its monolithic presence. Instead, the Duke continued to make several additional TV performances during the 1970s until his death in 1979, mostly in the specials where he played.

Despite his sporadic forums in TV, during his career, Wayne avoided recurrent roles in series, and it seems mainly down to his negative view of the media. The Times quoted him as saying, "Television tends to reach a little," the Times assessed the Western TV who was trying to gather psychological insights from their stories and characters. Wayne continued: "In their western, they are moving away from the simplicity and the fact that those men fought with the elements and the cruel nature and did not have time for this job."

Today on the West of Johnon Wayne TV seems to be more than the genre itself. The actor spoke disappointing about television throughout his career and apparently thought he had a negative social impact. In "Johnon Wayne: Life and Legend", "" Author Scott Ayman described the actor's feelings for TV as "ambiguous", quoting veteran Wayne as he says: "I don't know if I love it or I hate it. But surely there has never been any form of fun so accessible to the human race with so little effort because they have invented sex." According to the actor, the worst element of TV was that it has a "negative effect on family life". "It kills the family conversation," he said. "And it's hard to get your kids to read books." As Aiman pointed out, however, Wayne would easily have a captive audience if he accepted TV.

There was also the debacle that included TV -Real Grit TV, which caused a legal battle After Wayne withdrew from Paramont's decision to sell rights before the film left the theaters. While it was supposed to give the "real Grit" a chance at an appropriate theater race, Wayne may have opposed the fact that his film was going so quickly to the media that he thought had such a "negative effect" on culture.