At the episode "Seinfeld" "The Puffy Shirt" (23.09.1993), Kramer (Michael Richards) A ambitious fashion designer named Leslie (Wendel Meldrum) begins, who, in his own description, is a "low speaker". That is, it usually speaks with a very small volume. Jerryi (Jerry Seinfeld) has a conversation with Kramer Lesley for lunch, telling them about the upcoming high -profile TV look to make. That's "today's show". Leslie reacts, but jerryers can't do what he is saying in a crowded restaurant, so he just politely nodded. The next day, Kramer reveals that in tearing, Jerryi has agreed to wear Leslie's shirt, specifically for his "Today's show" look.

The shirt is described as "bloated" because it has white sleeves and accessories similar to breasts. Looks something that the Lord Byron can carry. It is aristocratic, old -fashioned and out of place. Jerryryers try it out and is immediately ashamed. He unwillingly promised Leslie that he would wear, however, so he was dedicated. Of course, when the jerryers meet Bryant Gumbel in the air, the host immediately ridicules his shirt. Jerry, trying to get into the spirit of things and clearly hate the shirt, it also starts ridiculing it. The fun of the air is angry by Leslie, and she finally raises her voice to Jerryry, firing an election insult in his honor. Everyone is ashamed, no one learns anything, and everyone loses. That is how the world of Seinfeld goes.

"Preparing Shirt" is one of Seinfeld's most famous episodes, and the shirt itself, designed by Sharmain Simmons, is now on display at the National Museum of American History Smithsonian. As revealed on the special features of the DVD -Seinfeld, designing the shirt was a bear on a task, as no shirt was as "bloated" as the show's creator Larry David was looking for. Simmons ended up having to "strengthen" the shirt with the wires to make it "bloated".

Simmons was interviewed for the shirt, and she remembered the process:

"Larry said we wanted to look like a pirate shirt. I thought (skeptical)" okay. " So I went out and went around all these roll houses and got some of these ... Like Erol Flynn shirts, I call them. (...) I thought we were going to change the sleeve because it was really a kind of stupid.

On the same special features of the DVD, Seinfeld himself noticed that the shirt was not sufficiently bloated and quoted the use of Simmons wires to make it out of his body further. It can be imagined that the short was very uncomfortable. If the viewer looks closely, they can see the wired rings around Seinfeld's hands under the shirt. It is comical, yet strange stylish. It simply looks at the place of the Jerry's body because the character is a neurotic urban character, unused on sharp clothing or buronous insulation.

The "bloated shirt" ends with the defense of the title. Mocking the shirt destroys Leslie's design career and all the bloated shirts he produced were donated to goodwill. The last scene of the episode shows that many depleted locals and homeless people bought their shirts and carry them open. The poor now look aristocratic, returning the fashion choices of the bourgeoisie at the end of the 18th century. Jerry, when he saw the shirt in the public, he reveals that he is not deplorable. The episode may resonate Because there is a distant comment on the class under everything. And it all comes through the design of the shirt.