Menahem Golan and Jamham Globe have been gods of the 1980s film. Through the Cannon Group, they churned out Exploitation Movies that consistently, and shamelessly, delivered on the promise of gratuitous violence, even more gratuitous nudity, and production Values that Beyond What You'd Expect From, Say, A Movie That Starred Lucinda Dickey as An Aerobics Instructor Possessed by A Ninja. Occasionally, they would even make a film with a master director, because what they really wanted was to take Hollywood seriously. This is how we got the "King Lear" of Jeanan-Luk Goddar, "Barfish" by Baret Schroeder and "Beg's train" by Andrei Konchalovski.

Anyway, Golan-Glube knew his brand and they kept multiplexes stored with Competently direct action films starring Jacques NorrisJoe Cosugi and Charles Bronson with a fat salary that is sticking out of the jacket pocket. These may have been funny movies, but they were real and guaranteed to play in cinemas all over the United States, so Actors coming like Sharon Stone ("King Solomon's mines"), Christopher McDonald ("Brane" and Elizabeth Shue ("Link") were pleased to take on the available work.

Canon has always been aggressive in search of a new talent they could sign on a long -term financial friendly agreement, which worked well for Michael Dudikoff. But on the periphery there were other guys who may not have appeared like the next Bronson, but if you let them go out and make some real movies like, to know, "Schindler's list" may have something. Unfortunately, the time did not work for Canon and Liam Neeson.

I will not enter the logistical and political chaos of the Twa Flight 847 abduction, but it was a huge deal in 1985 because it was believed to have been implemented by the terrorist organization Hezbollah, resulting in the Navy of the United States Robert Steim and joining the brutal abuse. It was a wicked operation that left the United States at the time they buy it in the fiction for the renewed military primacy through "unusual courage" and "Rambo: First Blood II".

Furious/Commercial Tuck Golan predicted a fair gold mine at the box office through a hybrid with a starvet at "Airport" and "Wild Geese". Everyone went according to plan, his action EP, "Delta Strength", will be starring Jacques Norris and Charles Bronson. Bronson, unfortunately, was attached to the HBO film, so Golan hired a real military hero in Lee Marvin as head of the Delta Force unit accused of redeeming their unsuccessful rescue of US hostages from Iran in 1980. There were huge names that played a variety of characters - soldiers, hostages, hostages, terrorists - in this film. Shelley Winters, George Kennedy, Eyoi Bishop, Robert Vaughan, Susan Strasenberg, Martin Balm and Robert Forster borrowed the movie credibility he didn't deserve. After all, this was a military fantasy that believed that the killing of hundreds of Islamist terrorists would do something other than to create hundreds of other terrorists, immortalizing the cycle of violence that continues to this day.

Yes, Delta Force is undeniable, irresponsible fun, but if you can stomach his anti-Arab Ingoism, you will be treated in short views of Findler's future starvers and action film Titan Liam Neyson to hang out in the background of several scenes. He does not say anything, and fails to bring in life to Hondog's snow, but Nyson is there in the immediate vicinity of action. It is a strange task for the actor because he has already played Gawain in Johnon Borman's "Excalibur" Kagan in the visual treatment of Peter Yates "Krull", But Canon may have promised a greater role in Delta Force 2: Colombian relationship (starred by Richard Yakel, Billy Drago and sadness).

In any case, if you are Liam Nyson's fuelistist, I recommend that you list the "Delta Strength" before punishing yourself with the meaningless, non-musical translation of Les Miserebles. Neison is no longer the way to Nirvana.