Following mild spoilers of "weapons".
Zack Creger Great new horror The film "Weapons" has an unusual approach to storytelling. Instead of sticking with a linear narrative, a cregger image of a mosaic, weaving a widespread story from several different perspectives. Of course, Creger did not invent this method of storytelling - but you usually do not see that it is applied to horror films. Instead, this is the type of format used by directors such as Robert Altman - see "Nashville" and "short cuts" as the main examples. The furious hit of Quentin Tarantino "Pulp Fiction" also followed a similar path, recounting a few interconnected stories from different weather conditions.
And then, of course, there is Paul Thomas Anderson's Garging Drama "Magnolia". Released in 1999 After Anderson broke out in a big way with Boogie Nights, the new cinema came to the director and gave him almost complete freedom for his tracking. "Basically, a new line came and said to me," Whatever you want to do next, "the director said. Theujork Times. "I was in a position where I will never come in."
"Magnolia" takes a strange place in Anderson's film. He will continue to make even better films, and in the years since the release, the director "will have blood" seems to be a little ashamed to take such a big swing. "I would cut that job," Anderson told Mark Maron On the question of the film. "It's too long." For too long or not (I would claim to be just the right length), "Magnolia" is a fascinating film - and ended up with inspiring Zack Creger when he sat down to write "weapons".
As Magnolia, the weapon tells a large widespread story through different perspectives
As the "Weapons" opens, a narrator - a little girl we never meet in the film - sets things on the go, telling us that "many people die in many really weird ways in this story." We find out that one night (or technical, morning) at 2:17 pm, 17 children walked away from their homes in the suburban city of May, ran into the dark and disappeared without a trace. "Magnolia" also opens with storytelling (courtesy of the deceased, great Ricky Jayej), telling us about a series of strange, surreal coincidences. "And, according to the modest opinion of this narrator, this is not just" something that happened, "he says. "This cannot be" one of those things ". This, please, may not be that ... this was not just a matter of case. Such a feeling may be describing the events of the "weapons" too.
After opening, the "weapon" then separates time telling a story from POV to several different characters. There is Justin Gandhi (Iaulia Garner), a teacher of missing children. There is her friend of again/again with the benefits of Paul (Alden Ehreneich), a local police officer and a recovering alcoholic (Ehrenech sports a mustache that makes her look similar to C.on C. Reili in "Magnolia"). There is Archer (Oshos Brolin), the anxious father of one of the missing children who begins his own amateur investigation. There are Jamesesiyes (Austin Abrams), a homeless addict prone to burglary to pay for his drug habit. He has cute but condemned to condemnation of the Marcus school (Benedict Wong). And then there is poor, tortured Alex Lily (Carrie Christopher), the only child of Justin's class no disappear.
From these different perspectives, we get a bigger story of supernatural horrors lurking beneath the surface of the suburbs, and the creation scenario is great with slowly but methodically filling the gaps, allowing the audience to break the mystery together while the story takes place. Unlike the "weapon", "Magnolia", it is not a horror film, nor is it a mystery. But it gives us a great story about Loveube and the loss through the POV -it of more characters, all breaking paths one way or another, in a way very similar to the "weapon".
Zack Kreger thinks of weapons as Magnolia's "ancestor"
Obviously, "Weapons" is a very different movie from "Magnolia" in terms of the story she tells. But the format of Magnolia was a special inspiration for writer-director Zack Kreger when he sat down to retire the script.
"Magnolia" (g) great (influence), "Kreger told me during An exclusive interviewadding:
"(B) Ecause it's a great ensemble and it's totally proud to be an epic film and being a little messy. It's a picture of all these different colors, but it has such a specific palette, and it's sad and funny and everything is everything. I just love what I love how to write, as I write it.
The very concept of the EP of Horror is exciting to me as a horror fan, and I am very iousbopite to see if any other director is collecting this idea and runs with it. Give me more "magnolia"-inspired epics for horror, please.
The "weapon" is now playing in the theaters.
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