
This article contains Small spoilers for "Wednesday" Season 2.
The Adams family, as created by cartoonist Charles Adams, are characters whose mallets are embedded in their design. It is not the affliction of the characters themselves, they warn you, but their surroundings. The Adams Family Core includes seeing these macares, frightening, cowardly people who are put in places and situations with extreme normality (or, at least, the relativity), the better for them to comment and satirize the environment. In addition to the comment and comedy that springs from the mixture, Adamsis exist as a many -year symbol of non -conformity. In no uncertain conditions, they always allow their cheat to fly.
This is why, 87 years after Adams created the characters, the family continues to have longevity and popularity. Netflix's latest live iteration, "Wednesday" on Netflix, sees creators Alfred Goff and Miles Millar, along with director Tim Burton, undermined the Adams Family Formula in a way that seems to be a really fresh and side move. Instead of placing Adams' characters in another average American city, the series sends Wednesday (ENENA Ortega) to the academy, never again, boarding "Capital-O", ie. Strange and unusual. On paper, a series of Wednesday, her brother Pugsli (Isaac Ordonez), and the rest of the Adams crew mixed with the Lesolacs of Wingolanci, Orgors, Sirens and Other Folks with supernatural abilities can sound like missing the essential accessories that are "family".
However, not to worry. "Wednesday" proved to be locked in Adams groove, Especially when the image of the title behaves. Writers and directors of the show, and especially Ortega, make sure they highlight every moment on Wednesday, can badly comment on people and things around it. The concept of such a character has fallen into a supernatural mystery of life-friendly murder or death is fun enough, but when "Wednesday" allows Wednesday to go full counter-culture, it is a pleasure. In the premiere episode of Season 2, Wednesday gets its best moment, proving that neither the character nor the show should be put in a rigid box (even pine).
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