Set stages of spoilers. This article discusses major events from the latest episode of Star Trek: Strange New Worlds.
If the creative team behind "Strange New Worlds" are trying to convince us that Star Trek can support any possible combination of genres and tones, Season 3 is already proving to be a brilliant case study. As part of only five episodes, we saw an action thriller with Gorner, romantic fantastic drama (accent of Fantasy) featuring Spack (Ethan Peck) and nurse Capella (Esses Bush), an independent zombie invasion and A. A strange blow of the aesthetics of the "original series" wrapped in a murder-mystery conspiracy. Now, the show's writers have just released what can be lowered as the most ambitious hour, however in all the "weird new worlds" and a page (or two) of a pair of insufficiently appreciated horror-dopies.
Yes, "Star Trek" is again trying in the cosmic unknown with Season 3, Episode 5, appropriately titled "Through Lenses of Time". This time, however, inspiration is drawn from some unusual sources. When the story begins, we might seem to be in the riff "Indiana Onesons" as a chapel and Dr. Roger Corby (Cilian O'Sullivan) running an excavation at an ancient archaeological site. But what begins with a sense of miracle and research is soon transmitted to the most common hunt of horrors. The guest team quickly reveals that the "treasures" awaiting them in the hidden structure are nothing but: automated (and quite deadly) self -defense mechanisms, time/space paradoxes and interdimensional foreigners just itching for their chance to escape.
Since our characters go deeper and deeper into this house of horrors, especially two films feel like spiritual brothers and sisters of what "strange new worlds" are trying here: Paul C. Anderson, a cult classic "Horizon of the Event" of 1997 " And Ridley Scott in 2012 "Alien" Interest "Prometheus. The series gave us the taste of existential and now there is no turning back.
Strange new worlds extract page from Prometheus PlayBook
You know, maybe there are Worse things in life than death. Mankind has always been obsessed with immortality and the idea of what follows next after we have gone through, but nothing good never comes from examination too deep in those issues. Countless stories and warning stories warn us of the cost of interfering with things we have no control, Prometheus states as one of the more intriguing examples It had to offer that cinema -fantasy in the last few decades. When filtering such high care through the usual idealistic star of Star Trek, you would think that the horror would be the last thing on his mind. Instead, "strange new worlds" have just jumped their legs first in the mouth of crippling.
It all begins to go wrong when the USS company has encountered an archaeological miracle of alien world, which may contain answers to the mysteries behind the resolution of immortality. Unfortunately, red flags begin to appear when the team meets dead bodies, a glittering orbit that exploded forcibly in front of the bad gaming game (Chris Meyers) and a defensive mechanism that kills their local Njal Guide (Ish Morris), trapping them. Their only way out is to go away, naturally, but none of these hardened Starflit officers could expect what they would come across.
The superficial parallels "Prometheus" are quite difficult to miss, but what really connects the two together comes from the thematic idea of deceiving death and searching for clues to our origin. The indigenous extraterrestrial Njal is looking for these answers for his people, which is why he recruits Starflit's aid. But this search is also what leads directly to his death, when he comes face to face with "evil" is just called a ves. Whatever he looks at the next chamber, he scare enough to leave the area completely, though this ends in a tragedy when he immediately evaporated from the defense of the door and the rest of the survivors are left to an uncertain fate inside. As the crew of Prometheus, their search for answers brings them much more than what they are negotiating for. However, instead of meeting their producers, our "strange new worlds", instead, find the villains behind them.
As the event's horizon, the strange new worlds meet the port to other dimensions
And this is where things are inserted into the territory "Horizon Events", because in the end we find out that what the crew of the company thought was a temple or research facility was actually an interdimensional prison. When the Ensign Gamble comes uncomfortably close to one of these vesis and loses its sight, well, it is probably not a coincidence that these visuals so strongly match What is happening with D -Wair of Sam Neil and the rest of the unfortunate victims of the hipwear named Horizon event. Let's just say that similarities do not end with bloody eyes, however. Saturated protagonists of Horizon Events, who are tasked with examining the long -lost ship that disappeared without a trace a few years before, realized that he had not returned alone. Traveling over the boundaries of our universe (And maybe even hell himself(
The Gamble ends in a similar sticky situation, possessed by one of the Wed and forced to include his Starflit's colleagues to escape prison. Like the "Horizon Events" antagonist, this interdimensional entity defies human understanding and points to the frightening region of the universe outside our range. According to Pelia (Carol Caine), a pure evil incarnated. Seeing what Anderson does with "Horizon Events", well, it's hard to be a comic to attribute the same maliciousness to everything that ends with the haunt of that ship. Between the alluses towards hell, nightmaric images of what happened to the starting team and the general Lovecraftian tone and visual, the film can easily be classified as a supernatural horror. "Strange New Worlds" at least striking the same disturbing territory, though in the end it leaves this draw with one last teasing. After the Salia shoots and kills a "cube", the returned ved is transported to the ship's buffer and efficiently closed ... Although the shine console suggests we have not seen the last of it-the fascination of the show with scientific classics for the horror.
New episodes at the premiere of "Star Trek: Strange New Worlds" on Thursday on Paramount+.
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