The popularity of Larry David and Jerry Seinfeld "Seinfeld" It was a sign that American TV audiences were ready for change. During the eighties of the last century, traditional American sithoms became stagnant, seen (by some unusual young) as an easy, non -ramic remnant of the former generation. By the end of the 1980s, three plays arrived to turn the media inside. "Married ... with children" was a traditional sitcom in the structure - It was a white, suburban, nuclear family - but frightening in practice. The characters were selfish, greedy, stupid, sexist and sadistic. In 1989 The show quickly became semi -silent. The sitcoms were dead.
And then there was Seinfeld, a series often referred to as "show of nothing". One of Seinfeld's creative mandates was that none of the four main characters-played by Jerry Seinfeld, Asoneerson Alexander, Iaululia Louis-Dreyfus and Michael Richards-didn't have to learn something. There would be no hugs, no lessons, no morals. The four leading characters of Seinfeld will remain just as neurotic and tiny at the end of an episode as they were at the beginning.
The four main characters of Seinfeld were JerryRyers (Seinfeld), a neurotic professional comedian, George (Alexander), who could not hang out at work, Elaine (Louis-Dreyfus), who was unhappy around, and Kramer (Richards).
In 1994, when Seinfeld was at the end of his fifth season, Article in Los Angeles Times He declared Georgeorje the most notable of the four. His neuroses and petty seemed the most humane and at least far away. Alexander regularly met people who said they were linked to George. This confused the actor, of course. He theorized that Georgeorje, despite his unusual anger and the tendency to lose jobs, is the biggest man of the four.
Georgeorge was Seinfeld's most humane character
Georgeorje, it has to be said, was the easiest to be upset by the characters "Seinfeld". He lost a lot of temperament, entered the fight and often played the devil. He never climbed his three best friends, but he was certainly angry at the world. Of the four characters, it was the Georgeor who was often caught in his lies, the one who split. Perhaps those were the bad impulses of Georgeorje and the subsequent wines to be caught, people associated with.
Asked about the phenomenon of George's relativity, Alexander said:
"Wherever I go, someone says," I'm like Georgeorje "or" I know someone like George. " You know, Georgeorje is a very heroic loser one is more surprised than we are. "
The "heroic loser" is a wonderful way to describe the character. Kramer, as mentioned, is a hook. He is a silly and miraculous character. Everyone knows Georgeorje, however. Or is a george.
When Seinfeld ended in 1998, Alexander was already encouraging a healthy voice acting career starring in Duckman, Aladdin, Hercules and Dilbert. He played Max Bialist in the national tour production of "producers" and scored His life -long sleep to appear on Star Trek (He was in an episode of "Voyager" and 23 episodes of "Prodigy"). He was in four episodes of "The Gorgeous Ms Maisel" and dozens of other hit TV shows. Recently, Alexander was playing Teve in the production of Fidler on the roof.
He may have embodied George, but Alexander is a viable and talented actor.
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