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If you are a movie buffer, you can almost certainly quote the first film you saw in the theater. My was the "war of the Starwelles". I was three years old and screamed from terror when the lights were darkened. I was enchanted for ten minutes or so before I was kicked out - though I Whether Rus for running the trench. I finally watched the "Starwells War" in its entirety during its 1978 renection, and that experience of my four -year mind, after watching a movie that was filmed in space, was an excitement I chased for the last 47 years.
I was lucky that my acquaintance with the transport magic of the films came through the most appropriate piece of cinema, commercially and artistic, because it "passed with the wind". Meanwhile, there is a child whose first trip to the theater was to see Tim Allen in "Jungle 2 Jungle". They are probably now a great CEO of Farm. Or in jail. Or a large CEO of farm, who belongs to prison.
But what about the great directors? Do they remember their first theater excursion, what they saw and how they hit them? We know from Steven Spielberg's Semi-Autobiographical Film That he fell head over the heels in Loveubov with the movies when he saw Cecil B. Demil's "biggest show on earth", while Johnon Wu recalls that he wants to avoid the existence of poverty by going to the fantastic world of "Wizard of Oz" by Victor Fleming.
What naturally leads us to one of our brightest work directors and the worst champion of secondary living today. We are, of course, Talking about Martin Scorsese. If you are a director's fan, you probably know which movie captures it at a very early age. What you may not understand, however, is that it is not streaming at the moment and it is difficult to find physical media.
Maybe we don't have Martin Scorsese without a duel in the sun
When Martin Scorsese received the guild of the producers of America David O. Award Selznik On February 25, 2024 Still in 1965. He shared the daisy that night with some of the biggest names in the history of moving images: Jameseshes Stewart, Samuel Goldwin, Jackech Warner, Carrie Grant, Alfred Hitchcock and David O. Selznik. And, he recalled how those last two men, giants in the industry, fought fierce battles during their three collaborations.
"The job for these guys, they took care," Scorsese said. "This is a keyword - obsessed - from the cinema. They both lived their obsessions. Selznik dictated those infamous memorandums. That's what the marks, obsession were concerned."
Scorsese's obsession was set on fire when, at the age of six or four (both quoted in the past), his mother took him to see the "sun duel" written in the sun. Although the film was condemned by the Catholic Church, Scorsese's mother (immortalized in many director films) did not give up. "The child loves the West," she said. "I take it."
All these years later, Scorsese can still remember the magic of the "sun duel" over it. As he told the attendees at the PGA awards, "redness of color, movement, landscapes, stunning pieces like dance in the canteen, which approach the cavalryers that oppose the railway, the mysticism of the film mixed with prof. Those numbers from him in the convertible are against red sky. My movie "Killers of the Flower Moon", Sequence with the prairies of fire at night. He stayed with me all those years. "
The sun duel is not available for legally flowing, and Blu-ray is without print
Now that you are dying to see the movie that, in essence, gave us Martin Scorsese, I regret to inform you that "as a new" used copy of 2017 "A duel of the sun" Blu-ray will work you $ 79. As for streaming, it is completely unavailable. Legitimate. You can find the film by the nickname "Lust in the Dust" pretty quickly if you hit the search engine of your choice, but I will not give a direct link because I'm not sure it's a completely legal setup.
All I say is that the "sun duel" is an epic western species, where the woman (Ennenifer Onesons) is a protagonist. King Vidor is a loan director, but as if he did not want Selznik, he brought other steering wheels to shoot certain parts of the film (eg Joseph von Sternberg, William Cameron Menzis and William Dietl). It is a lack of film, but beautifully filmed and unusual erotic for her era.
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