Sam Esmail's "Mr. Robot" had a finger on the pulse throughout most of its four-season rock. This hacker drama led by Rami Malek can be difficult to categorize because hyperfixes and oscillates between different topics, while constantly revealing his identity. It is a deeply personal story that is also a painful universalBecause "Mr. Robot" eventually focuses on the human urge to connect to another, filtered through the disorienting perspective of super -hacker Eliot Anderson (Malek). As the seasons progress, the cryptic nature of the show gradually begins to be revealed, framed through the striking visual style of Esmail and consistent anti-capitalist philosophy. Much of the bitter pathos in the series stems from the incredible performance of Malek, synchronized and contrasting against an equally brilliant Christian slider, whose titular character haunted the narrative even when absent.

The latest thriller for Jameseims House action, "Amateur", may be far from Esmail's critically esteemed series, but there are certainly some thematic overlays. For beginners, Malek plays a different kind of anarchist in the "amateur", while slipping into the shoes of the CIA intelligence analyst, Charles Heller, a sensitive and awkward man who initially holds him mostly. However, after his wife Sarah (Rachel Brososhan) was brutally killed in the first 10 minutes of the film, Charles realizes that unwanted means of hunting for the perpetrators. After receiving an accident course to become a secret agent (by blackmailing his higher windows), Charles is now ready to start his spy adventure with exciting revenge.

If the "Mr. Robot" connection is not clear even above Malek's involvement, it may help to know that the "amateur" relies on a tight story, equipped with plot, cooking the right amount of paranoia to boost the stakes in this spy flick. Unfortunately, he failed to impress critics and the audience, also performing badly at the box office. But is the "amateur" good?

Robert Little's novel in 1981, "The Amateur", which was also adapted in the 1982 film of the same name, is deliberately structured to facilitate the kinetism that comes with a convoluted spy thriller plot. Although there is enough room for exciting action, Little's novel occupies a predominantly nihilistic view of futuristic gadgets, especially those that can be used for unethical supervision. This paranoia is not completely unfounded (given the state of our world), but is expected to connect with the dramatic cliches associated with the genre (dead wife, high-energy chase sequence, a secret conspiracy to expose you). House adheres to these expected genres, but makes a decent job to do a significant, alternately fun case for Charlie and his chaotic search for revenge.

/Film Ereeremi Matai highlighted the film's "competence" of the film in his reviewWhile listing as the "amateur" in the end "is dragged down from the weight of a few too many tropes, a slightly unfortunate plot that cannot bring two separate stories into a cohesive whole, and an end that feels strange dissatisfaction as a result. This perfectly covers what the film has to offer-story is marked by an occasion. Over time it begins to feel bored.

He said: "The Amateur" offers a cheerful time when he feels in the action parts of Charles' trip, as he paints the image of a ruthless man who perceives his moral compass as justified. This may be a little tricky for those who want to dive deeper into the complicated morality of the CIA, but if you ignore this dissonance, the transformation of Charles feels organic, satisfying even. After all, this is someone who relies more on his clever intelligence than his brutal force, though he can Be quite cold when it comes to murder. Malek combines these elements to form a fascinating mixture and is perhaps the most interesting component of the genre of the House genre.

The Amateur is currently moving to Julu.