When "Dirty Harry" arrived in 1971, it did so despite many controversy. For some, Clint Eastwood's enemy police officer Harry Callahan seemed to be a celebration of police brutality, and the film completely came across an apologist for vaguely fascist ideals. That is, unless you have taken it for the brilliant thriller for crime action. If you liked your heroes troubled, breaking with a healthy contempt for the rules, Callahan was one of the best main characters in the history of the cinema. Those who simply enjoyed the movie at that level made him of success, leading to sequel and three other dirty films by Harry. It started in 1973 with Callahan returning to Magnum Force, and it almost seemed like the film's writers hit the critics of Inspector Maverick of Eastwood.

In "Magnum Sila", criminals are as disgusting as they can be obtained, with Callahan hunting a group of awake police officers who have taken them to violently kill criminals who slipped through the cracks of the justice system. But co-writers Johnon Millius and Michael Fimino did not have to make a point for criminals to be worse than policemen breaking rules. Actually, Millius found the final intersection of "Magnum Power" tastelessclaiming that all the scenes were changed by how he wrote and turned them into much more graphic or bombastic versions of the originals. For example, the notorious brain cleaning scene, in which the sex worker dies after being forced to drink the toxic fluid, was initially to be directed, but not shown, and when Millius saw the final cut and his display of the heinous moment in the whole fame.

But Milius was not the only one who was not satisfied with the final intersection of "Magnum Power". For the sequel, Director Donkari Don Siegel was replaced by the Ted Post, who previously oversaw "Under the Planet of Monkeys" and "Go Say to the Spartans" and worked with Eastwood at Hang Em high in 1968. By the end of Magnum Force production, however, the post was almost certain that he would never work with the veteran starvet.

Today, Clint Eastwood is so well known for his directing of power as well as his legendary presence on the screen. But even before becoming an established director, he seems to have always maintained an unstoppable belief in his directors talent. At least, that's the positive way of looking at it. A less favorable way to see is that Eastwood thought he knew it all long before cementing his directing. As author Patrick McGillig has put in his book "Clint: Life and Legend", "" By the time Magnum Force debuted, it was "becoming part of Clint's mysticism, even when he didn't direct one of his films, he was the one who really directed." That certainly seemed to be the case of the "Dirty Harry" sequel, with Ted Post maintaining that Eastwood thought it was the one calling for the footage, many of whom directly opposed the director's wishes and plans.

The book contains a number of topics that have emerged between the post and its starvet, many of which seem to have descended after the film was already shot. According to the director, Eastwood reduced the "two very important scenes" of the recording schedule, which was a surprise to publish. Obviously, the actor would not "authorize" the scenes, one of which included a long footage of Callahan on his engine because of the budget and weather concerns. Eastwood also sat down on the editing process, where he and the post clashed further. The director claims that his unwanted editing partner made "comments from the mouth", designed to undermine the film experience of the post, adding: "Many things he said are based on a clean, selfish ignorance and has shown that he is the man who controls power."

The problem, at least in the post estimation, was simply Eastwood's ego - which, until he made "Magnum Power", as the director said, "began to apply for statehood". After this full production experience, the post believes that Eastwood has made his career "impossible", essentially taking credit for all the best parts of Magnum Force and thus implicated the post was basically useless. That said, the director had no concrete proof that Eastwood sabotaged his career, but as McGilligan wrote, "If it were not for Clint, and if the list was not a long one of the writers, cameramen, directors and others who fought to prove themselves outside (Eastwood's production company).

The tension between Clint Eastwood and Ted Post on Magnum Force went beyond some shortened scenes and editing disagreements. The problem seems to have actually begun when the post asked for a second download, after he noticed an error in the established blow, only for his starvet to return. Eastwood is known for using the first download In his films, and it seems to be exactly what he wanted to do in this situation. But the post stopped on the ground and was proven properly in the end, resulting in a strange apology from Eastwood. According to the post, it is after this that the actor is "very difficult" with him.

Regular associate of Malpaso and cinematographer Rexford Metz has appeared to support claims of Eastwood's unwillingness of finely adjusting the scenes. In "Clint: Life and Legend", Metz claimed that the actor has "very great ideas", but that he "will not take the time to improve the situation. If you have made 70% of the shot, that is enough for him because he knows his audience will accept it." It had to be frustrating for the post, which was clearly eager to make the best movie she could. In many ways he has succeeded, even if Eastwood takes the loan for Magnum Force's success, which he did more in the box office than "Dirty Harry". In the end, Eastwood officially directed his duties for the fourth "Dirty Harry of Harry", "Sudden Impact", which remains the only sequel he once directed And the worst film in the franchise - adding even more evidence in favor of the man behind Magnum Force's success.