This article contains Large spoilers for "Superman".

Superheroes existed as a genre for themselves for almost a century, so they naturally suffered permutations of storytelling. There is a big difference between the open sincerity of the golden age of comics and the postmodern deconstructor likes of the "Watchmen", "Dark Knight" and "Steel Man" trilogy. For the first few decades, Superman's character was certainly good. If he happened to shake that path temporarily, he was usually to blame the form of cryptonite, not any lack of character. In Richard Donner's "Superman" in 1978, not only Kud-El (played Christopher Reeve) shown as a real blue boy who never lies In post-water and Vietnam America, but his parents Oror-El (Marlon Brando) and Lara (Suzana York) are shown as pseudo-religious figures, literal last people on their planet and speak the truth and be completely unselfish. This makes the easily understandable explanation of why Cal-E is out of the way he does (not to mention his upbringing from another set of equally good heart parents in Smolville, Kansas), allowing the film to continue his business by introducing other elements, such as "Superman".

The Jameseshes Gun "Superman" does not have the burden that Donner made. With almost 50 years of superhero cinema behind it, "Superman" 2025 is in a rare place to choose a cherry for decades both in Chinese and comic book books in your version of the character and choose it. The film throws along with pieces and pieces of past "Superman" investments, by The theme of Johnon Williams from the movie '78 to the Roma Home on the TV "Lois and Clark". However, Gun is making a series of new, bold elections in the film, the most controversial that Oror (Bradley Cooper) and Lara (Angela Sarafian) are revealed to have less than idealistic reasons for sending Cal-El (David Corensvet) on Earth. It is a shocking discovery, though not for the twist of the plot itself, as a version of it appeared in the previous Superman media. It is all how Gun uses the turnaround and commits it to it that makes its appearance in Superman so controversial and attractive.

Superman's parents, Cryptonian, are usually portrayed as well-intentioned figures, but that has changed thanks to writer Johnon BIRN's 1986 "Man of Steel", restoring Superman's origin to engage in a wisder and cold and cold Joror. That series ended with Superman choosing to accept his human upbringing over his cryptocurrency heritage, leaving him to bring the knowledge of the extinct cryptonian race. In Mark Waid's limited series in 2003 Superman: Birthright, Superman must share a short moment with parents parents before Krypton explodes. While Superman's general lack of knowledge of his past helps him favor the country over Krypton, the issue of accepting his legacy is considered metaphorically from the "Downloading of Lex" series. He has been found to come from Smolville, Kansas, along with Clark, but he refuses to admit it, choosing instead to try and deceive humanity to believe that Crypton is a wicked alien conqueror, a conspiracy that Superman foil, of course.

Revelation for Superman's parents in Gun's film essentially combines elements of BIRN and Waid, along with the Donner and conspiracy film Series "Smallville" on TV. In the second, a teen Clark (Tom Welling) has to deal with the interpretation of the personality and intentions of Oror-El, because the man was able to only convey his brain waves to the AI ​​that was sent with mud-el to earth. At one point, Clark and other characters were thought to have sent his child to Earth to conquer, only to discover that they were the more wishes of this version of Oror-El, than those of the long man himself.

This concept is listed in Gun film from Superman's plot, which has a short video message preserved in the fortress of loneliness as the only connection with Oror-El and Lara. During his upbringing on earth, Cal-El/Clark used the video as Totem, humble from the idea that his parents at birth had saved his life from Loveubov, as seen in the clip. Later, Lex and his owns attack the fortress, and the engineer (Maria Gabriella de Shara) finds a way to unlock the rest of the message. Lex is releasing a message to the media, in which the state of Oror-El and Lara sent Mud to conquer the country as the last son of Krypton, Superman assumes that it is a trick of Luter, something the audience assumes. But the message is legitimate, forcing Superman to face some difficult truths about his parenting, as well as what kind of man - let alone Metahuman - he wants to be.

Born parents who have a contempt for the country, it seems that the deconstructedist or even controversial with the character of paper, but Gun does not only require to shock or awaken things. Instead, the turnaround acts as a perfect capsulation of film themes to be your personality and choose to do the right thing, even if it is unpopular. Gun-Rejecting Cal-El is a continuation of the topics of his career, but especially those seen in his Trilogy "Guardians of the Galaxy". In those films, several characters that make up the title of space heroes have serious problems with their families. The term characters with complex, alive morality also appeared in Gun films, also not only with a nebula (Karen Gillan) in "Guardians", but also with the title of titular peacekeeper (Johnon Senna) and, yes, even "Superman".

Gun deliberately plays with genres of tropes and subsequent expectations of the audience, but the film has not broken the Superman conflict with good parents against evil parents. Instead, the whole film revolves around the development of the mud-el/clark/Superman ideas about who it is, who wants to be and what it wants to contribute to the world. His parents on earth, even Ma Kent (Pruty Taylor Vince and Neva Howell), are not shown as saints; They are just sincere, the salt of the country, whose advice for Clark is not to follow in the footsteps, but to take the tools they gave him as parents and create their way. This idea is just as radical (or "punk -rock" as the movie would have) for Superman, as is the cryptone message. Most versions of Superman see him actively trying to respect his parents' wishes, usually both sets of them. This version of Superman is everything to give the character freedom of choice, something far more American at the base of all pre -imagined "values".

This helps make this superman multi-dimensional character without resorting to Everything is just as strong as it adheres to the neck of the enemy. People who have good relationships with their families can be proud of Clark's loveable to his parents of Kansas, while those who find strength in their found families or simply can refer to how Kud-E goes in their own way, unstoppable from his troubled past. If the 1978 film emphasized the value of integrity in a nation that lost it, and "The Man of Steel" in 2013 questioned authority and responsibility, then Superman of 2025 is for our current isolation era.

We do not have to respect the desires of our elders foolishly; We have the freedom to think about ourselves, and the choice to help others is available to us all.