The Universe of Sony Spider-Man (previously known as the Sony Pictures Universe of Marvel's characters, or SPUMC), is probably the most bizarre franchise experiment since the dark universe, an experiment full of confusing choices that have failed spectacular. These are films that form a Chinese universe that turns entirely around the Spider-Man, which has many of its most popular villains, and even a few allies, all without actually displaying the web-list- Although we get a story of origin for various species for Peter Parker in Madame Web.

A good thing to get out of this bad experiment was the films "Venom" starring Tom Hardy. At the very least, these films did not know how to take very seriously, with director Zombieland Ruben Fluisher sets the tone with the first "poison" and Andy Serquis, pushing him further to become a funny, camp and very queer franchise in which there is an unusual.

It's a wild trilogy of movies, often bad, sometimes wildly, always with at least some uncertain side character (Woody Harrellson's wig, someone?) And a set of movies that deserve to be watched. Since the films "Venom" skip a traditional numerical sequence, there is a little chance of being confused where to get started. If you are for a reason, you would like to watch the trilogy in the order of publication (which is the same as the canonical chronological order, the best and only way to watch these films). So if you want to watch the "Venom" movies in order to follow this order from the beginning:

Keep reading about the franchise malfunction and why this is the best way to experience the "Venom" movies.

This is a pretty simple, traditional trilogy, with a three -part structure. There is no timetable shenanigans, no return on time, no spin-off to think. The films "Venom" are uncomplicated, a series of stories after the Eddie and Venom meeting, the development of their relationship and at the end of their painful goodbye.

Of course, at the end of "Let the Massacre" have "Massacre" at the end of the "Spider-Man: no way at home", but it is resolved immediately in "The Last Dance", so you don't need to watch the non-poisoning film (except for blinking-and-miriza-footing that connects both).

Indeed, the films "Venom" are as simple as they come, have no subtlety (which is for cowards anyway) and tell a direct story. At least, unlike the rest of the Now the dead universe of Sony Spider-ManThe "Venom" trilogy has a clear start, middle and end. Let's look at each individual entrance to the trilogy and how it develops the central connection.

Directed by Ruben Fleischer ("Zomb"), the first "poison" is by far the weakest trilogy, a film that is not sure whether to be serious and nasty, focusing on Eddie's body horror, sharing a body with a foreign monster, or a campaign and funny film to share your body.

However, there are some interesting ideas introduced in the film. For one, the idea that the poison is not a serious killer from a foreign world, but a fugitive fugitive from his people, who considers him a good loser. That idea gives the trilogy way (and indeed, the entire Sony Spider-Man universe) of making an anti-hero poison than a villain. Of course, Venom eats brains, and he wants swallowed kittens, but he is also chances of superhero, "deadly protector" at the end of the film.

However, the reason why this whole trilogy is worth starting is in two funny bizarre scenes. One is the moment when Venom takes over Michelle Williams' body and goes out with Eddie before taking his body - the first kiss between Eddie and the poison. The other is the scene of the wild lobster tank, a pleasant strange moment that feels like nothing else in the movie, scene that exists because Tom Hardy insisted To the extent that they built a whole hardy tank to fit. These are moments like those who set aside the films "poisonous" from other superhero joints, which make this strange trilogy of different.

This is that. This is the highlight of not only the "Venom" trilogy, not just the Universe of Sony Spider-Man, but also the superhero films in general. Well, probably not that last part, but "Venom: Let the massacre have", it is still a pleasant stupid romantic comedy that is also going to be a superhero movie and Secretly, the movie "Gate Superhero" has been made in that.

So, there is no subtlety here, there is no attempt to hide the fact that Eddie and Venom are a couple and allow fans to make their own conclusions. The first scene is extremely obvious that this is a couple's movie that understands their relationship after moving together, but before taking things to the next step. This is the film that finally comes out Venom, during the best scene of the trilogy, the one where the venom wind of Riva and gives a speech to be hidden by his partner Eddie, and how the Loveube is a LOVEUBOV in what director Andy Serkis described Uproxx As Venom's "exit party". It is a wild movie, and complements its shortcomings (everything with Woody Harrelson's massacre) by deepening Eddie and Venom.

Not every relationship ends well, and not every romantic comedy ends with happily ever after. From the initial scene of "Venom: The Last Dance", there is a sense of finality, a sense of melancholy to the knowledge that all good things must end one day. This is a fast -paced, saturated film that commits the cardinal sin to pull the focus from Edi and the poison and spend too much time with other, uninteresting characters.

For one, the film is trying to establish The tanos of the Sony Spider-Man universe But it fails to earn excitement or even iOsubocity for the wicked knife. Like any other movie in this bizarre Chinese universe, it has zero with any of the other films, let alone Spider-Man. However, it is not without merit. Venom gets a dance sequence at the Las Vegas Hotel that is astonishing, while writer Kelly Marcel gives the film a thematic message to refugees and migrants making this timely and more political film than even the latest Captain America. Even better is the end of the film, which uses Maroon 5's "memories" for a funny strange editing that books this strange, yet unique trilogy.