It can be felt that a defense is trying to throw out the visual whale when it makes Frankenstein. The creature is still animated with electricity, as in Keith's film, but not with a simple lightning stroke. Instead, Victor constructs a metal structure of the casket, fills it with water, and electricity (including eels) flows through that pot.

https://www.youtube.com/watch?v=5revof_ihn8

The machine looks pretty like a huge artificial uterus (amniotic fluid included), reflecting Frankenstein's delivery topics. De Niro's creature has no green skin on Boris Carlof, a square head or neck screws, but a more wrong face covered with stitches and scars.

But there is another part of Kit-Frankenstein's legacy that defends its own: it's Frankenstein's bride (first played by Elsa Lanchester). In Shelley's novel, the lonely creature is trying to blackmail Victor to make a friend for him. As his creator, Victor owes this to him, and if he gets his friend, he will never look for Frankenstein again. Victor Almost goes through that but the fear of what Two The monsters could make it destroy the bride she built before giving her life. Therefore, the angry monster kills Elizabeth on her and Victor's wedding night.

This sub -proprietary was left out of the original "Frankenstein" of Keith, but became the spine of his 1935 sequel "The Bride of Frankenstein". The mentor of Frankenstein, Dr -Septimus Pretorius (Ernest Tessiger) with monster partners and forces the doctor (Colin Clevel) to make the monster the bride. But as soon as the bride wakes up, she finds it as ugly as everyone else does and reject it.

Mary Shelley's Frankenstein offers a completely new download of the bride. After Elizabeth's murder, Victor took the remains, collected pieces of them in a new body and puts it through the resuscitation process, saying he and this resuscitate Elizabeth can still be together. The creature then tries to take Elizabeth as the bride promised his creator. Elizabeth rejects both and set fire to the country's Frankenstein family to destroy (similar to Keith's "bride").

This sequence, wherever it is found in Shelley's book, still leaves the story with the same end result. Victor's overbox is dead and follows the creature in the Arctic. But that makes Victor even more selfish. The one who destroys the bride in the novel, though it has more terrible consequences, is for him no repeating his mistake. The winner of the defense is still again Tampers with life and does not consider what Elizabeth would like, only he wants to come back.

Undead Elizabeth is the most innovative part of Mary Shelley's "Frankenstein" and a pretty clever way to bind the existing story of the story together in something new. However, I am divided on whether the whole story has the benefits of Victor to learn the same lesson again - we will see what M -Del Toro has in line with the tragic, arrogant doctor.