Looking back on its 50th anniversary, it's hard to imagine slipping something extra in the "jaws". Even suggesting to add something to Steven Spielberg's perfect movie (not to mention, one of the best movies ever made) would be like a nail on cardboard. And yet, there is a significant support from Peter Bankley's original book, which features the film, which Spielberg rightly missed. In addition to the battle between the three waters of the film and the machine eaten by the man, Bankley's novel contained something far more scandalous and enjoyable-something he never hinted at in the movie version. It is a threat that crawls the beaches on the island of Amit and the boss Brody (Roy Shader in Spielberg's film) of the door: a romantic affair between his wife and educated outsider Hawper (Richard Drayfus).

Initially, in the version of Bankley's story, the strict social division between Brody and owners of Beach Business Activities at Amitus abruptly oppose his simple interactions with his wife Ellen (Lauren Gary). At the same time, Ellen appears as a more developed character who fights his own challenges. Trapped on the island and longing for life off its shores, Ellen is immediately attracted to Huoper, a young, spiritual Ichthiologist, and the brother of the man he has hanged out before meeting his husband. In the end, the couple even has a secret rendezvous, which continues to play a key role in the rest of the narrative. However, by the end, both Brody's problems are lost at the sea when the chief appears as the only survivor in the last showdown between mankind and shark.

As early as 1975, the fans of Bankley's novel may have already been thrown for an inflated loop when the affair that was such a basic part of the original story was nowhere in the film adaptation of Spielberg. Surprises then will continue when The end of the book, which could not be different from the Spielberg versionHe did not make the cut, watching Brody not alone when swimming on the shore.

Benchley, in his entire wisdom of writing, killed Houper when he took his bold dipping in the cage against A-Acuka. Instead of escaping the jaws of death closely, as he does in Spielberg's film, he catches in their undertaking and dies bloody death -like death (Robert Show) in the film version of "Jaws". As for the worn out fisherman, Quint makes a less bite into Banklie's book, when, after striking the titular fish with a harpoon, he accidentally puts his leg caught in the rope on which he is fastened and dragged to the depth of the murder itself.

After all, Brody returns from the sinking of Orca to the original Banklie material. It is a far simpler end, but the one who would not work in Spielberg's film. Not only does he miss the bomb and bloody terror that the director was clearly targeted, but Spielberg's film is also populated by characters who are much more attractive to their colleagues on the print page. It includes Hawper, who, thanks to Drayfus's performance (in combination with some copies), proves to be a significantly kind man in the "jaws" film.

While it is credible, HOPER will still end up sleeping with the fish in Spielberg's film if it weren't for Happy accident during the recording of the cage sceneIt also helped Huper be a good and well -intentioned person in the film. The version of Banklie's image, for comparison, turns out to be a home -made homaker who eventually contradicts Brody after the latter, easily, takes away what is happening behind his back. This makes Huper's death in the book more punishment and the one who is perhaps suitable for the path he has chosen to take.

Drayfus's double-double academician, on the other hand, is just as invested and honest about stopping the great white shark of the same name as Brody. His unique interaction with Ellen in Spielberg's film (when the Houper Sorted broke the unusual dinner of the Brody family, after the shark claims his second victim) is similarly charming and harmless. To kill the way he does in the book, you would simply feel unnecessary morbid and gloomy.

However, first of all, Spielberg clearly wanted to give Brody something to fight, and that includes the Brody family, which is clearly oversee and far from the broken unit shown in Banklie's novel. Indeed, the views we get from Brody interacting with his young sons ("Give us a kiss") and his wife proved that there is a lot of ocation among them. To include the Ellen-Huper affair, it will cause a very different story-that would not be almost as satisfying as the one we got instead.