William Shatner's 1989 Epic Epic "Star Trek V: The Final Frontier" is still, to this day, as one of the worst Star Trek films. The huge $ 30 million film budget probably went mostly to its roles, as its visual effects are seriously missing, and the sets look shy and inexpensive. Also, the scenes of the planet Nimbus III and his Paradise city were very clearly cracked in the Mojave Desert, and was composed for many footage of the film on the view, forcing Shatner to shoot real screen screen. (Doesn't look good.)

The "final limit" was also covered by a myriad of problems with production. Then, when the shooting began, there was a strike by the Union of Teamsters, forcing Paramount to look for drivers who are not in the union in a move that, of course, had to invite team revenge. . All this was at the top Shatner makes suspicious directing decisions around the worldAt least according to producer Harve Bennett (who spoke very sincerely about the failure of the film).

Obviously, the premise of the film is a big swing, as it includes a terrorist named Sibook (Lawrence Lucinbil) who kidnapped the USS company and takes him to the center of the galaxy, where he believes God (!) Lives. The film even climbs with the Sibros and the crew of the company facing a creature that can potentially be the physical manifestation of the Almighty. "Star Trek" has always been interested in asking great, philosophical questions about the nature of the universe, but confronting God's head seemed silly, even for long -standing trips.

After all, the "final limit" bombed at the box office, earning an unimpressed $ 70.2 million (compared to $ 133 million made by Leonard Nimoy's "Star Trek IV: The Voyage Home". For the moment, it looked like the movie series "Star Trek" was in the end.

In 1989 It was also a reference to Shatner's initial narrative for the original Star Trek TV series, bringing everything a whole circle. More than that, her premise was so expansive that she really felt like, well, the last limit of human consciousness. The space can be easily passed in "Star Trek", but the infinity of the human soul remains unexplored. Shatner was allowed to set the premise of the film himself, as a dispute to pay for the "Home of the Travel" set to make certain contractual requests. It was predicted that Shatner could not only direct "Star Trek V", but it could also collect scripts. As such, his idea was for the film to be to meet God face to face.

However, after the film was attached, it was not clear where the franchise would go. Bennett started working on restarting the property, which Kirk and Spack had to portray as young men at the Starflet Academy. They were supposed to play the new actors, and the film series would be allowed to start over. Unfortunately, the idea of ​​Bennett's "foretelling" was abolished after a regime change in Paramount, and the new leadership dismissed his concept. A 1991 Sinefantasis magazine also quoted Bennett as saying that he, at one point, worked on the movie "Star Trek", strongly inspired by the Western Santa File of 1940 "Santa Fe Trail", but he was also rejected despite the manager. Bennett's idea to restart property with a young new team, of course, will eventually be used in 2009 for Jey Abrams's Starweet Starweet.

After all, however, the new paramount regime thought that Star Trek should be redeemed and decide to collect the original series' one last time for an appropriate "final limit".

Bennett withdrew as a producer because his projects were killed, but it was very possible, for a few shiny moments, that Star Trek could be restarted in 1990. This was when the "Star Trek: the next generation" was already in the air, so it seemed very that the public did not want to watch the original "Star Trek". The franchise would be restarted seriously, and Kirk and Co. - At least as we met them - it will rest. Woulde was a daring move - the one who would not have a HuzzPach to withdraw for another 19 years.

The new paramount regime in 1990, however, was more concerned with saving what the property already had, rather than falling into the restart trap. The studio hired Nicholas Meyer, the writer/director of the hit "Star Trek II: The Wrath of Khan" and a key collaborator of the script of "The Voyage Home", to deal with a comprehensive production featuring the original actor "Star Trek". Meyer has collected "Star Trek Vi: Undiscovered Land", post-cold military allegory that was carried out as a political thriller. Everything was about the fall of the Klingon Empire, meant as a clear parallel with the collapse of the Soviet Union in 1988. This setting was occasional than that of the "final limit", despite being more intimate from the perspective of the character. Some believe that "undiscovered country" may even be one of the best films "Star Trek" ever. It was certainly a much, much better end for the original actor "Star Trek" from the "final limit".

The next film "Star Trek" after that, "Generations Star Trek Generations" in 1994 was a movie "Next Generation"-which was shown on Shatner in an accompanying role. Meanwhile, Bennett continued to create a pretty good time, traveling police TV series "Time Trax" in 1993, and even worked with Steven Spielberg for development The animated series with little discussed "Invasion America" In 1998.