If you haven't noticed a particularly boring trend that the film industry is taking these days, then make sure your parents certainly have: Where do not have all children's films? The skeptics of that thought will indicate blockbusters such as "Minecraft Film", the prevalence of superhero films, or remuneration like "Lilo and Stich", and even the recent "How to Train Your Dragon" as evidence otherwise, but it lacks a forest in the form of a block. With all respect for Chicken Jockeys and Traumatized Theater Employees Leave A WatchtowerThese examples feel much more focused on nostalgic young adults than any other demographic. Of course, children can eventually make up one of those most important four quadrants. But are they Really Enjoy the same benefits as the target audience that the rest of us regularly take for granted?

Usually, when Pixar enters, saving the day for parents and kidos. Those of us at a certain age were practically raised on these films after eating a stable diet with original and emotional stories that immediately resembled how we looked at the world around us. In our most formative moment, nothing helped to define our taste in the films more than the exploits of Woody and Buz and Mr. Mr. As for our people, every joke and a complex narrative fight that flew over our heads ended, keeping them as fun as we were. However, almost exactly 30 years of feature films is a long time to maintain an incredibly high standard. After Performs a stake in ups and downsIt would be fair to wonder if more magic was left in that dust all.

If "Elio" is an indication, the rumors of demolishing the studio - along with that of children's films everywhere - were very exaggerated. The classic story of the ground if there was ever one, the latest Pixar comes with a plaid history of delays, director and creative shakes and a marketing campaign (or lack of them) that can be generously described as "non -existent". Despite all the chances set against it, however, this adventure set in space takes its own image to the title and requires it not to be overlooked. At best, Elio feels like Vintage Pixar ... And it's probably his best original Coco from 2017.

"Elio" can have its eyes firmly fixed to the stars, but begins as a basis like Pixar's film in front of him. We meet our 11-year-old chief hero, expressed by the incredibly emotional young actor Jonas Kibreab, of his lowest possible EB. Astonishing under the mass of the cafeteria at a local museum of air and spacecraft, Elio is clearly withdrawing from his parents' screen. (Recall this in dialogue not less than three separate times during the early walking.) As a small small ball of rage and unprocessed sadness, he does what every child would do in his situation: Pull out those around him, hyper-fixing his obsessions and rocket from one emotional to the next. The "rocket" is a keyword, for his newly discovered guardian Aunt Olga (Zoe Saldasha) Eternal Jegin, because his adamant passion for space feels like a wedge drawn between him and a normal, well -suited life. Elio has no friends, he lost the only two people in the world who actually understood him, and the huge gap of the cosmos only seems to remind him of how he really is.

All this setting could seem a little clumsy during the affected first act, but directors Madeleine Sharafian and Domi Shi (taking over the original director Adrian Molina, who still retains a co-director's loan) do a huge job of maintaining things firmly on the right track. Like "Finding Nemo" or "Up", Elio finds a perfect heart way to provide a window in Elio's space. He is soon stumbling at the unopened exhibition of the Voyager's space probe and sitting in a miracle that was wondering from the idea that maybe life could really exist there-and in fact, maybe a place to which he really belongs. The only promising tear down his cheek speaks more volume than any dialogue on his nose he ever could, and quickly establishes the first of many edits as a kind of Able -Hero Weirdo, who wants nothing more than being abducted by aliens and taken away from the misery. Until then, we are entirely on his side for next.

It, as it turns out, is a space in space, which is strange, visually blinding and unintentionally nervous about its core. It is not long before Elio finally ended with abduction (wrong as the country's leader) and to erase the United Nations -like committee, a collection of the greatest minds and worst extraterrestrial ambassadors in the galaxy ... and a military military leader, the terrible Lord Grigon (perfect). Taking a page of wealth of scientific influences, from classics such as "close encounters of the third type" and "ET alien" to touching stones such as "navigator flight" and "Contact", "Elio" has no problem finding the inherent joy and humor in such a child. But by coming out of its way to show the full range of Elio's emotional turmoil (at least implicitly suggests that it can be on the spectrum), the film proves capable of manage some of the most emotional challenging sequences of Pixar's likes of "Investing". Only through the boldly walking in some dark places "Elio" shines the brightest.

If the beautiful picturesque and Gonzo conception of the film about the universe is not enough to keep children occupied, boasting an original kaleidoscope of colors and futuristic visual, then the true heart and soul of "Elio" will almost certainly. Communiers can be exactly what Elio has desperately been looking for all the time, and the naive foreigners who greet him as one of their own, provide a sharp contrast from the thugs who plague every step back home. Elio's attempts to persuade extraterrestrial ambassadors Helix (Brandon Moon), Tegman (Matthias Schweigifer), Turaiis (Anna de la Reguera) and Questa (Jamela Amilamil) that he is the most influential man on Earth, are worth the price. But as soon as he is tasked with calming Lord Grigon (essentially Riff's Clingon Warriors from Star Trek) in diplomatic negotiations with centuries, made in exchange for communication membership, the central topic of Elio is focusing.

As far as the film has in mind (and it is a lotSince much of the "Elio" shares the mentality of the sugar protagonist), it is a dynamic between the fast friends Elio and the innocent son, as a Tardigrad of Son Glordon (expressed by the pleasant draw Edgelli) that stole the whole show. Some of the best moments in the fastest time of the 99-minute film come from Elio and Glondon to get a chance to simply exist because children are in the coolest possible setting, enjoying friendship and eccytic that can only be developed among those with similar painful upbringing. The script (credited to too many writers to list here) somehow finds the time and space for the adventures of Badi-Comedy of Elio and Glordon, a funny and unexpected clever sub-conduct between Olga and cloned Elio back to Earth, and even some hard-to-face for children. Before we know it, "Elio" has built up to the exciting crescent for the fact that Home Really Means for external people like Elio - and, as with the best of Pixar, I dare someone to come up with a dry eye.

By the time things work completely start with equipment, even some of the most watched visible stitches cannot disturb Ellio too much, at least. As with any obvious rescue work, certain inclusions and previously introduced concepts fall on the road as news reminders for previous drafts. (For a fun post-theater exercise, Look back in the earliest hangers To see how much it has changed over the years.) The frenetic pace can keep their children dependent, but parents will appreciate sequences when "Elio" hit the break button and allows the audience to sit in silence - on complicated ideas, for emotionally challenging conversations and miracles. It is not every day to get an animated film with action action, which depends on the dangers of orbital space remnants around Earth ... But such strange, antiques that fit into the gake are exactly what makes Ellio be highlighted by such recent tickets.

Are children's films returning? Is Pixar call the clock to their most celebrated day at the early corners? No movie can represent that a lot to that Many people. "Elio" instead of deciding on a more specific and personal view of the world - the one who can only leave parents and children also looking at the night sky with a brand new perspective.

/Movie rating: 7.5 out of 10

"Elio" opens in theaters on June 20, 2025.