Whether you are in Numerous Western plays by Taylor Sheridan ("Yellowothian", "1883", "1923", etc.) or not, you cannot blame them for their high epic results. No matter how important it is to have the great Enio Moricone to compile his iconic results for the legendary spaghetti of Sergio Leone Clint Eastwood led by "Fist of Dollar" Or the quintessential "once once in the West", it is just as important for Sheridan to have real music to create a milieu that aims.

Although I gave up early "Yellowlston" (I'm more of the "1883" and "Landman" type), I can still be easily reminded of his initial loans because of the stylish design and the haunting theme that accompanied him. Immediately an attractive introduction if you are a Western fan - Grand, eloquent and stunning tragic in a way that will allow you to get lost in it immediately. Also, it was the first in line, which made it a fresh and impressive theme before "1883" and "1923" included their tone and delivered different variations to it. So, it's hard to be surprised by a writer-creator who insists on writing most of his series strictly independently-that Sheridan had a few very precise ideas, he wanted to cover the thematic song on his first TV show.

Brian Tyler and Bretton Vivian (who were the composers of three sheridan shows, starting with "Yellowolston" and continuing with "1883" and "1923"). The Deadline Sound and Screen event As early as 2023. Tyler explained that Sheridan was in the middle of writing the rookie season of the horse melodrama when he came to him with a few very specific demands on how he wanted to sound. He said:

"He wrote" YellowoLston "and thought he wanted to do a lot of cinema access. He wanted orchestral music and wanted something very emotional to explore the dark side, which reflects dynamically against beauty. And, at once, I found myself writing the first piece of the script.

"Tragedy is a beauty" is something that many directors and screenwriters know inherently, yet very few of them can make their story feel that way, without forcing it into the throat. Even talent like Sheridan I can't get it properly all the timeBut when he did so, you feel the weight of that Chinese magic that breaks through your body with a huge wave of emotions. Music plays a key role in that, and according to their merit, Tyler and Vivian understood the responsibility of that task and delivered some of the best results we have heard in modern Western in the last ten years or the like. Whether it's "Yellowstone" or other installments in Sheridanvers, the soundtrack is always as huge, powerful and dramatic as it can be.