The film "Buddy Police Officer" in 1989 "Tango and Cash" is a strange animal. Lieutenant Ray Tango (Sylvester Stallone) is a copworm policeman on the division of LAPD narcotics to Westside, while Lieutenant Colonel Gabriel Cash (Kurt Russell) is an East Sitraves Starvist. People from Los Angeles know that these are vital differences. The two have never met, but they are both confused by the criminal underground and set up drug dealers to drop a drug bust, it's wrong. Tango and Gotovina gathered in court and ended up together in maximum security for security. To clear their names, they will have to escape and follow the bad guys, including the gangster Yves Perett, played by Jackec Palance.

The story is wide all over the place, and the tone is a strange slap. "Tango and Cash" is as fat as the films for police officers in the 1980s, but his sense of humor is strange caustic, and his script is scary. Russell is a charming enough actor to deal with this kind of light brick shareholder, but Stallone seems to be strangely lost. The couple has no chemistry. "Tango & Cash" was not loved when it came out, and is currently a sporting grade of 31% on rotten tomatoes. Was nominated for three risks. Oddly enough, the film was fine hit, with over $ 120 million with a $ 54 million budget.

The movie sprayer tone can be easily attributed to the fact that three directors had to be spin. Most of the "Tango and Cash" was overseen by Andrei Konchalovski, a screenwriter of "Andrei Rublev" by Tarkovsky and "Ivan's childhood" and the director of "Escape Train". However, Konchalovski was fired by producer Jonon Peters after three months of shooting. They seem to have missed heads above the end of the film. The story of making a movie is cataloged by the solution.

The troubled production of "Tango and Gotovina" was general knowledge, even at the time. Report by Times in Los AngelesPosted in November 1989, he noted that different scripts are re -writing, directors and other scheduling problems forced the budget in the film way higher than expected. It is also recorded in the middle of a lawsuit; Sonny and Warner Bros. argue about who had real control over Guber-Peters' party, Jonon Peters production company.

And, naked, staff changes this tremor. Konchalovski was partly fired for creative differences, but also because of the balloon budget. He was replaced by Albert Magnoli, the director of Violet Rain and several other projects for the prince. Not mentioned in the Times article is the fact that the second director of the "Tango and Gotovina" unit - and, iousubopitus, also executive producer - Peter McDonald was brought in a few weeks to direct before Magnoli began seriously. However, Stallone trusted McDonald, as he directed "Rambo III" the previous year. (McDonald will continue to do "Incredible Story III: Fantasy Escape," starring a young Jackack Black.) Although Konchalovski was the only lending director, "Tango and Cash" had three. And since Stallone was doing so hard to control various aspects of production, it could even be considered an unofficial fourth director.

Case at the moment: Delondal article notes that the original cinematographer of the film, Barry Sonenfeld, was fired by Sylvester Stallone for not illuminating him in the way he preferred the actor. Sonenfeld was replaced after a week by Donald E. Torin, who fired a "purple rain" for Magnoli.

All this was in the shadow of constant surnames. Randy Feldman is the only credit screenwriter, but the script has changed with his hands many, many times.

One of the screenwriters who was hired to write the "Tango and Gotovina" script was EFFFRI BOS, and he said in interviews (in particular, With the occasional critic in 2012) that he hates his work on the film and rejoiced that he was unwilling.

No one can say which of the directors made the film so strange erotic. In Tango and Gotovina there is a lower shower scene in Tango and Cash, which seems like a remnant of the 1970s, as well as a scene in which Russell and Stallone are caught in small white tanks in the spilled rain. Then, for a good measure, Russell has a scene dressing in traction to avoid catching the police. The erotition of male bodies was usually enough in the 1980s (see: "Top Gun"), but it seems to be at a particularly intense level here.

Then, moreover, the poor editor of the film, Stuart Baird, had to climb something vaguely coherent than all the footage of the different directors. Beard can be a true hero of "Tango and Gotovina" because he managed to make a movie that, though weird and wild, is at least basic coherent. Beard is one of the three credited editors of the film after replacing Robert A. Ferretti hired Hubert F. De la Bulleri to join him. Beard was also the one who hired composers Harold Faltermeier and Gary Young to make the film score.

Beard will eventually start directing his own films, including "Executive Decision", "USA Marshalli", "USA", "USA", "USA", "USA", "USA", "USA", "USA Marshalli", and "Starwater Trails: Nemesis". He also continues to edit high -profile action movies. Let's give the man appropriate props.

Stallone, meanwhile, Likes "Tango and Gotovina 2." No one else does.