We can get a procurement commission made from links.
Director Nicholas Meyer has always encountered an arrogant touch when talking about his film "Star Trek". Meyer celebrated the review of the "Star Trek II: The Wrath of Khan" script and took out a final draft within 12 days, accepting any salary and no credit. He was brought under some problems behind the scenes, as the creator of Star Trek Genin Roddodbury was closed by production after the cashier's insufficient shape of Star Trek: The Motion Picture. Meyer not only saved "Star Trek II", but also made a movie that is, even today, was considered one of the best films "Star Trek".
Meyer returned to the franchise in 1986 For co-knock "Star Trek IV: The Voyage Home", Which was the most famous successful film "Star Trek" for many years. He will later return to the property once again in 1991 when he co-wrote and directed "Star Trek VI: The Land of Land", which is also held as one of the best films "Star Trek". If Meyer sometimes sounds arrogant for his Star Trek job, know he has earned. (He also has the right to hate the 2013 Starvers Starval in the darkness "in 2013.
Meyer, of course, wrote about his varied experiences "Star Trek" in His autobiography in 2009 "View of the Bridge: Memories of Star Trek and Life in Hollywood". He also talked about his time at Star Trek II in an interview with 2007 TrekmoviePaying special attention to what time crisis it was. As mentioned, Meyer was brought in the last minute and had to re -examine the film's script in a few days. The reason he needed to work so fast, he explained to the tricks, is because the Special Effect House worked on Star Trek II, industrial light and magic, needed visual effect instructions immediately; Otherwise, the film will not end up on time for the intended opening.
Fortunately, Meyer was equal to the task.
Nicholas Meyer was supposed to work fast to get the timely signs of special effects of the film
The story says Meyer was only hired to direct "Star Trek II", but that the film's executive producer, Harve Bennett and his producer, Robert Salin, did not want any of the scripts they saw. True, each of them had elements approved by the creatives, but the whole story did not gather. Meyer admitted that he was a "long silly story" on the third, but he also said he was the one who suggested Bennett and Salin merge the aspects they liked in the single, a master scenario. However, Bennett and Salin were not ready to do so because ILM needed a draft in the next 12 days.
Meyer then gave bold suggestions that he could write the script again, feeling he could get the job done. As he said:
"Harve Bennett and Bob Salin said ILM said that if we didn't have a script in 12 days, they couldn't guarantee delivery of footage on time for the opening. I said," I can do this in 12 days. Let's get involved with that. "And they said," We couldn't make your deal in 12 days, "and I said," Forget about my deal, forget about the loan, forget the money ... I'm here as a director, but if I'm not here as a writer, now, There will be no movie. So, I just wrote it and they put someone's name on it. In fact, I think they first put Harve's name, but he later told me he had lost the arbitration. "
The final script deserved Jackec B. Sourdars, who expanded Bennett's original overview in a real first draft. The Sourdts was also the one invented by Kobayashi Maru, the Genesis device and the character named Saavik (although his version of the character was male).
Making Star Trek II was dramatic, rushed and filled with bad scripts and Toxic notes from gene-bags to shutdown. In what looks like a stroke of happiness, the film ended up as good.
Source link