Of course, the biggest effect Nolan and Flanagan are looking to convey with the use of nonlinear narratives is to put the audience in the point of the character (or characters, as may be the case). "Memento" is not structured as it is simply to disrupt the plot and its details, but also to allow viewers to feel insecure about things like Leonard Shelby (Guy Pierce) at any time. In the "Life of Chuck", each chapter is set at a different period in the life of Charles "Jacques" Cranz (played at different ages by Tom Hiddleston, Cody Flanagan, Benjamin Spider and Obeykob Trembles): his youth, his middle age and his passage. The full power of the segment around Chuck's death, however, will be robbed if we watch the film in chronological order.

Instead, as an open segment, the emotions around Marty's characters (Chivel EgioFor), Felicia (Karen Gillan) and others can resonate harder when experiencing events from their point of view. After discovering that they are aspects of Chuck that exist in his worldwide memory, and as their universe dies (which, again, is the right chuck), the moment brings a much more emotional, dramatic and thematic weight than it may have in the "correct" order.

Even when that twist reveals one -third of the way through the film, "Chuck" has more surprises in the store, just because the following two segments help to use the interior and the external story of this character. Looking at these little - but significant - events in Chuck's life feel similar to how Nolan presented Robert's life. Robert Oppenheimer (Silian Murphy) is not a simple and linear story, but The one who found the man constantly torn between the secrets of the universe he unlocked and their devastating, irreversible consequences. In another study of biopic or character, we will be more likely to attribute to them in sustainable emotions and thoughts of someone while traveling through events with them, but the nonlinear approach allows more attractive ambiguity. Chuck wants to ask if the no -traveling road is a reason for regret or simply part of the fate to be accepted, and cannot do so without using the time to bend the cinema.

Was king, Pop-culture Maven and KinefinInspired by Nolan's films when they write "Chuck?" The story certainly feels unique to the author, even given his nonlinearity As seen in "it". The possibility is there. Regardless of the case, it is wonderful that Flanagan has chosen to keep the structure unchanged because it makes the film, such as Nolan's work, to feel so much resonant, intellectual, philosophical and, of course, to move.