To the time "Stargate SG-1" was canceled by the scientific canal In 2007, the "bones" were in the air for two years. The creator of that show, Hart Hanson, worked on the "SG-1" back when it first began and it seems that he took several lessons of his time in the "Cool Classic Science" series.

After Roland Emerich's "Stargate" became a hit on the box office in 1994, SG-1 was created to continue the story of the title team, and Hanson wrote an episode for the first season of 1997 before leaving the show together. As the series was approaching, Hanson oversaw a very different show in Bone, which began airing in 2005. The published procedure paired the intellectual, socially awkward temperament Brennan (Emily Deschanel) with a fully adult Shock who was a special FBI Agent (David Boranaz). Through a clumsy mix of humor and horror along with no strenuous chemistry between the two series, "bones" stands out from other plays in the genre and remained popular for its entire 12-season period.

While the "bones" seem to be unable to remove the fantastic intergalactic adventures of "SG-1", Hanson took much of his short experience in the Sci-Fi series and used it on his mass popular show on Fox.

Before creating "bones", Hart Hanson wrote in several Canadian series after moving to the country as a child and growing north of the border. In the late 1990s, he found himself contributing to two Canadian-based scientific series in the form of "external borders" and "Stargat SG-1", the latest of which was shot in Vancouver, British Columbia, causing some major location conversations. Problems for SG-1 VFX supervisor.

Hanson wrote on "External Borders" in 1997, the same year he joined SG-1 for staff, where he would remain until 1999. During that time he wrote an episode for the first season, titled "Knox", excerpts that appear in the episodes "Politics" and "Out of Mind". This will be the only episode that is fully credited with Hanson, but it seems that the short experience had a lasting effect on the writer.

Talking to Hu As early as 2005, Hanson was asked about his science-fiction television experience, naming the writer "the external borders", "Stargat SG-1" and "PolterGeist" as three of the great scientific shows he contributed. Obviously, he considered it all valuable and specifically revealed that his experience of those shows played directly in the "bones". "Those experiences were very good for me because they were a lot of plot," he said. There is no doubt that "SG-1" had a lot of plot to argue. Each Week the Crew Would Visit a New Alien World and Embark on a New Adventure, Requiring the Writers to Introduce Entire New Species and Worlds While Referencing an Ever-Expanding Lore, Which Clearly Helped Hanson Hanson Hanson Hanson Hannson "Bones" - a show that introduced entirely new murder mysteries with episode (even while the show all "Nightmare" comprehensive stories to turn on). But that was not just navigation in a convoluted plot that Hanson conveyed from SG-1.

With his scientific stories "Stargate SG-1" used wide special effects, from CGI footage to prosthetics (One actor "SG-1" played nine different characters on the show Thanks to the talented makeup team). Similarly, the "bones" were full of effects of effects, most of them practical because the series does not drag shot when it comes to showing some of the most dire carcasses you've ever seen on network television. At one point, The bone crew used practical effects to make a dead body shineand the VFX team often created false bodies that went too far even for producers.

Although some of these bodies have taken things a little far away, Hart Hanson clearly appreciated the VFX side of the "bones", which also used CGI in the scenes involving the "Angelator", a holographic projector used in the fictional Institute of Effefeeferson and invented by Makela. Hanson seems to deserve his understanding of the special effects of his time on shows as "SG-1". During his interview in Hugo, the creator of the "bones" said:

"The other thing that was good for writing those shows was that you had a sense of how special effects were used. The" bones ", among the dead bodies and then special effects with the holographic representation, gave me a sense of what could and could not be done. Although I immediately had to be re -existed when they got together, because things are changing monthly. "

Then, clearly, we will have a very different "bones", not for "Stargat SG-1".