The elbow of the universe is long, but it always bends to that "guards" meme. To paraphrase Doctor Manhattan: it's 2004 and I see Oshos Hollovey playing Suav, a charming enemy that lies on all with which it crosses the tracks in a series co-created by Jey Abrams; He is now 2025 and I see Oshosh Holovej as a game of Suave, a charming hostile lying to everyone with whom he crosses the tracks in a series co-created by Jey Abrams. For another 20 years, we can very well dress our virtual realities in five minutes of free time of day, our AI masterminds for us to mention that, in this hypothetical, favorite streaming service of all Quibi has been returned from the dead - So we can watch Holovej and Abrams again in another show.

The parallels between Lost and the new HBO Max Duster series may seem like they start and end up here. The Castaway series was one of the latest Gasps on the broadcast television, which has a real cast, a high concept premise and a perfect blend of episodic and serialized storytelling stories that simply cannot be recreated these days. "Duster" feels like a return in many ways than one, bringing a refreshing mentality to an old school in digital space and in style and access. But she still can't escape the streaming show veneer that, unlike the popularity of the "lost" in its most famous day, it seems that it has largely fell on the path of the pop culture conversation.

It is also a shame, too, because "Duster" is very much happening for what every "lost" fan will appreciate. Even above the big comeback of Holovej, the HBO Max seriesNow soon known as Max, thanks to the indecisive decision makers at Warner Bros. Discovery) also puts a modern spin on a classic story - an inner man forced to turn against his (adopted) criminal family. There are complicated and unexpectedly intertwined backsters, characters that hide great secrets and twisted plots with a few great ideas - in mind. "Separation" will always be the closest thing to the "lost" successor Get we get, but Duster is not too far away.

Where the Jameseims "Sawyer" Ford was a constituent exchange of identity with an incredibly problematic past, Jimim Ellis is a cozy wheel named Jimim Ellis in the employment of the Master of Crime (Keith David Ezra Saxon), who may or may not be responsible. Both characters rely on Holovei's solid southern attraction to get everything they need, and both often earn a living on the wrong side of the law. (Both also have the habit of giving nicknames to those who are imposed on Fancy - "Peggy" made about half of the HOLOVEHY dialogue on the "lost", while a similar effort "Baltimore" takes its place in "Duster". In the case of "lost". In Duster, it is a very smooth process, and the FBI's attractive agent Nina Chase (the scene stealing Rachel Hilson) plays the biggest role of all.

Duster tells a story divided between two main protagonists in the 1970s Arizona: Jimim Ellis and his relationships with the Saxon crime family as a trusted driver, and attempts by Nina Chase to be taken seriously as the first black agent on the FBI. Of course, the two end up on a collision course and must unwillingly join forces in the service of a common purpose to exhibit Ezra Saxston. Jey Abrams and co-creator Latoja Morgan know exactly how to balance both stories, building fascinating support for the cast and striking them on topics that end up perfect radiation.

For those who may have missed the premiere of the show in May 2025, now is a good time like anyone who jumps on the board of this train (or, more precisely, the Jimim Red Plymut Duster gives the series). Three episodes in, the tone and building of the world are already feeling properly established. There are samples of policemen purchased and paid for by Saxon, wicked chickens removed immediately from the "Breaking Bad" mold https://www.slashfilm.com/ "Better Saul" and even Elvis-Otteli Fixer played by Seinfeld Alum Patrick. Jump and enjoy driving, people.

New Duster episodes hit HBO Max every Thursday.