One of the most impressive stunning moments of black mirror 7 did not use CGI

In a world where technology and Especially AIIt is quickly downloaded these days, it is always a pleasure to see when a great visual achievement in a movie or TV -Show makes people (and practical effects) than CGI. And who would think that the series that is primarily for science and future technology can withdraw Such a trick in its seventh season with mases? The episode "Black Mirror" "Eugia" is probably the most difficult, most difficult and human story in the latest series of six episodes. It is practically a human show that relies much on the magical charisma and the emotional range of Paul Amamati to say ballad of Loveubov, sadness and regret.

Giamamamati is played by Philip, a middle -aged American man, who has been informed by a technology company called Eugia that she recently died, Carol (Hazel Monahan). Although their relationship ended decades ago, the news hit the old man harder than they expect. Philip is asked if she is ready to contribute to Carroll's memories and old photos in the memorial -her family is trying to collect for the funeral. Although reluctantly, he eventually accepts the request. Shortly thereafter, he sent a kit with a device that provides practically access and "entering" photos to explore their contents first hand. Also secured by the voice of the Ai Guide (Patty Ferran), he plunges into the memory path that gradually reveals bitter and painful memories of their full but still passionate romance that may have meant more to Philip than I would like to admit.

It's more realistic than you think

"Eugia" is easily the most memorable episode On the "Black Mirror" Season 7, despite the powerful and moving performance of Amamati, it is because the trick It offers is actually a collaboration of real people than the special effects. In Interview with gold derbyThe actor revealed that Philip's individuals are found in the photos are real people (professional dancers and mims) who could all frozen, maintaining a motionless position for the length of each takeover. According to him, it was a very complicated process "from 2nd to 3D", but they took it wonderful. He said,

None of that is CGI. They are all real people who stand there just frozen. We did a very real thing with them so they could set it up so it was very tricky. They also had to find a guy who looked like me because they didn't go to me. They want to do as little digital things as possible, which I thought was great.

Amamati also added that the actress, who was "voice in her head" while immersing himself in the pictures, was present during filming, sitting in the corner that made him feel less alone in the scenes. He said, "Many actors wouldn't do it. I didn't expect anything else from her, but it was great to have it there, so it was never as if I was alone. I didn't realize how much I was alone. But once we did it, he didn't feel that way."

The final result speaks for itself: "Eugiology" often feels like a well -designed and emotional layered Indian drama that could easily be a complete function depicted in cinemas, not an "episode" in an anthology series. Regardless, it is definitely worth seeing for both the "Black Mirror" fans and Paul Amamati.



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