When an influential piece of media like Seinfeld canonized as one of the best sitcoms ever madeIt can almost be too easy for viewers to forget the many lessons that have learned to achieve that status. When you see Seinfeld from the beginning, you will see a show that has the right elements, but still tries to find its foundation. Each season, the NBC sitcom gradually becomes more reliable in its comedy, characters and strange plots. By the time the "match" was broadcast, he cemented Seinfeld as a phenomenon that all had to keep up with.

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There was a lot of ambition behind the scenes, with co-creators of the series Larry David and Jerry Seinfeld who tried to write An idea of ​​a comedian's chaotic lifestyle in Yorkyork. It became a hit because they were ready to push the envelope of something that had never been done on television before. In the same breath, Athonatan Wolf not only compiled music for all 180 episodes of Seinfeld, but was also responsible for a thematic song that sounded a little different in each of them.

"Seinfeld" has no traditional introduction of opening itself, because instead it decides to show jerryers (Jerry Seinfeld) to perform a minute of its stand-up material at the top of the episode instead. Thematic music is a variation of attractive fingerprints, pop -pop and slaps that, according to Wolf, would double as a shape to accompany jerry jokes (through Forbes):

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"The frequency range of this bass, in a general way, remained out of the frequency range of audio on his voice so that I would not compete; and that was my approach to the theme" Seinfeld " - to create lego -pays music that were modular manipulful. So for each monologue, I could create a different recording to compliment the time and length of each.

It's a cool idea that gives Seinfeld a unique sound that changes and develops in little ways during its nine seasonal work. There was only one episode where Wolf added verses, which was a decision that began and ended with the "note".

Viewers involved in the premiere of Senefeld Season 3 were welcomed by surprise: they were suddenly short verses like "easy to win" and "Heeeeeeeeee" that accompanied the sound effects. It is a bizarre addition of simply introduction. In a Behind the scenesWolf is talking about how Jerry's was who prompted the idea after hearing a fraud music and wanted to give the introduction of extra talent. "There were a few small horns of horns, embodied in music and I thought, what if I put nonsense verses on them," Wolf says.

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For a show like Seinfeld, the risk is much of the show's complaint, especially if everyone is on the ship. You never know what can come out of it. The creative team of the show had a positive reception of verses. Wolf, however, quickly learned that changing without consulting top brass is not a great idea:

"We tried it. Jerryi loved him. Larry liked it. We finished the episode. We made the next few episodes using that music. Then the first episode was broadcast. We forgot to ask someone else. And when the other people, the network, the castle, we heard this and we heard this episodes'.

Oops! Sometimes I feel like a square when I'm put in a position to argue in favor of studio directors, but they are right in this case. While the lyrical music of the "Note" surrounded during the episode makes it an interesting footnote in the history of the show, I can't see the melody under the influence of Scat to be as effective over the next seasons. It is overwhelming above the sound effects and feels like something outside the parody "Seinfeld" rather than a natural sequel to the rhythm of the show.

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