Quick Review of the The great inspiration behind the "Black Mirror" leads us in a critically valued series of CBS anthology, which serves as a plan for speculative fiction on television. Yes, Charlie Bruker's "Black Mirror" is generously borrowed from Rod Serling "Dusk Zone", where all the similarities between the two arise from Brooker, which pays tribute to the desired CBS Show. Even when these feedback is not intentional, the impact of the "twilight zone" is impossible to avoid, as the series shaped our collective understanding of the stories that evoke real and surreal.

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In addition, Serling's show has always kept a mirror on the social themes of the root, with each episode playing as a story of the morality that condemns the weakness of the increasingly capitalist landscape. The "Black Mirror" consciously imitated this approach from the postmodern lens, with an increased focus on our complicated relationship with technological progress. As a result, Most episodes of "black mirror" are conscientious or dystopianwhere the appeal lies in the gap between the present and what can potentially happen in the near future.

However, these possible futures are mostly gloomy, forcing us to oppose our overwhelming confidence in technology that can erode our sense of humanity. With the frightening arrival of the General AI of Stable Occupation to learn human skills at the primary level-the most unplanned critical thinking of the research-based essays-painting engraved by the "Black Mirror" is not as speculative as you would like to be.

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This asks the question: what does the term "black mirror" mean? If we look at the inspirational roots of the show, "The Dusk Zone" is described as a criminal space that lies "between light and shadow" and "science and superstition". It is a purely imaginative dimension that is above space/time, reflecting the greatest fears of mankind and the boundaries of human knowledge. Having this in mind, what does a "black mirror" mean? Let's see what Brooker himself needs to say.

In the option for The GuardianBrooker spoke in length about the disturbing trend of talking to machines all day long - a pretty recent accepted reality that wouldn't make sense just a decade ago. Brooker cites examples, including our new urge to constantly tweet about our lives, or the need to share videos of absolute foreigners for viral interactions on social platforms. While highlighting these constantly changing norms of what is considered socially acceptable, Brooker explains the liminality of the term "black mirror", which refers to every empty screen in our lives, from TVs to smartphones:

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"This area - between pleasure and discomfort - is where the" black mirror "is set, my new drama series.

Brooke confirms the "Dusk Zone" link shortly after, highlighting the brilliance of Serling's scripts, which could talk about issues such as racism or class-based exploitation within the "metaphorical, quasi-fantastic world" without fear of censorship. The CBS Show anthology format also allowed writers to explore a broad width of threads, increasing the scope of what Serling and co. He wanted to say from an artistic point of view. Brooke follows him by saying that The "Black Mirror" has always aimed to do the same:

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"This is what we strive for with the" black mirror ": each episode has a different team, a different setting, even a different reality. But they are all about the way we live now - and the way we may live for 10 minutes, if we are clumsy. And if there is one thing we know about humanity:

It is worth noting that Brooker does not deny the usefulness of technology in the postmodern era; If nothing else, he has gratitude for the technological services that can ease life a little easier. However, the impetus behind the "Black Mirror" lies in latent concern for our future, where this reliance can reach an alarming level and end up denying the human experience as a whole.