It is difficult to think about a movie Starwar that did more to dictate the course of movement images in the United States during the 20th century by Johnon Wayne. Home Iowa, who owes his acting career to Johnon Ford and Tom Mix, making legendary football coach of USCC, Howard Onesons, little benefit, took it out as a contract player during the 1930s, as long as he was at the end of his tail. Ringo's child in "Stagecoach". That moment, that film, changed the west forever. Before Ford's masterpiece, the genre was basically a pulp cinema; After becoming a huge hit, Westerns gained the power of the myth.

Ad

Wayne firmly believed that the Western existed to tell stories of the search for America's manifested fate. Wayne was so serious about what, late in his career, when Clint Eastwood approached him for co-glows in the western together, he wrote a letter showing his Outter successor, apparently using the purity of the genre with Dark and violent "driver of high plains". As for the Duke, he was not just a Western Starwarr. He was Western.

This has led to good humorousness and, at times, overwhelming for his pioneering achievements in the genre. Only the fool would ask Wayne's importance as a Western star, but other actors - especially Gary Cooper, Henry Honda and Jameses Stewart - were just as integral in its development during the 1940s and 1950s. So when the duke claims, for example, that it revolutionized the way the hero fights in the west, a lot of grains must be taken.

Ad

Wayne was fiercely protected by his image. Although he allowed the directors, he believed (namely, Johnon Ford and Howard Fox) to throw him as protagonists who were not completely cute, there were things he would simply not do. When the script of Wayne's latest film, the "Snowman", called on him to shoot a striker in his back during a climate shootout, the The star lowered his leg. Although his armed character miraculously survived to see old age despite killing dozens of men (which he probably asked him to perform several dishonest actions), the big screen icon refused to shoot a man who could not see the bullet.

Ad

Strangely, this honorable way of thinking did not apply to Wayne's fistiles. When he came to throw with a bad man (or, in the "Red River" case, his adopted son), Wayne made it clear that his characters would do something to get to the top of the debris. In fact, according to the Duke, his philosophy without a ban on hand fighting was a gearbox. According to the interview extracted in Essay for a literary center by Tyler Malone:

"Before I came together, it was a standard practice that the hero had to always fight clean. The heavy was allowed to hit the hero in his head with a chair or throw a kerosene lamp towards him or hit him in the stomach, but the hero could crash the villain.

Ad

When it comes to fighting, Wayne was a lot of conversation. He threatened to level Robert Duval On the "Real Grit" set, he was apparently not shy to use his significant size (he stopped 6'4 "and weighed in the neighborhood of £ 220 when he was healthy) to intimidate anyone who challenged him. Wayne's biggest contribution to screenshot He was in studying the Pigilists like Jackec Dempsey and learned how to fake a jaw.