This article contains spoilers For the post-credit scene of "GROM*".

At the end of the new Chinese Universe of Jake Schreer, "Thunderbolt*", "Scara, depressing team of titles - which saved the day - is unexpectedly dragged into a makeshift press conference without contributing to this issue, Jelena (Selo), Jelena (Florence) (S. Russell) and dense (Hannah Johnon-Kamen) have been introduced by Devial ​​Valentina Allegra De Fontein (Iaulia Louis-Dreyfus) as news.

Ad

This leads to the scene after the creditsSet up 14 months later, where the new Avengers are already installed in the New York headquarters. Although all were previously mercenaries and killers, they are clearly trying to fit in with their new roles as the strongest heroes on Earth. They still don't have all the techno-jargon down, and they don't mind decorating them; Their seat seems a little blank. Most frustrating, they are in a legal battle for copyright over the name "Avengers". Captain America, they say, possess their rights. Who would have thought that legal hugs would be a big concern for Marvel's freelance army?

Jelena looks at a high-tech tablet when the buzz is turned off. Their scan equipment revealed something victorious in the above atmosphere. Jelena pushes several buttons and carries a space camera feeding on her TV screen the size of the Wallid. They mention that something seems to have traveled on their planet of another dimension (!). They look at the spacecraft and you can assume that the number is decorated on the side.

Ad

Since the reader can intuitive from the description, this is a long scene. Indeed, now there is a record as the longest post-credit sequence than any MCC film, leading 174 seconds. That beat the record "Galaxy Tom 2 Guardians", which had five scenes on loans moving for combined 171 seconds.

Entering 2 minutes in 54 seconds, the new post-credit scene beat the record held by the Guardians of the Galaxy Vol.

Ad

As many MCU fans in the world know, Marvel post-credit scenes tend to to serve as reviews and/or ads for upcoming installations In the series. They are introducing new characters, reminding the audience that an unprecedented villain is still working in the background, or telling viewers that it is at hand that some kind of universe that changes the universe. Post-credit scenes are usually welcomed by Wiggly enthusiasm, and MCC fans will immediately storm the theater lobby to discuss the potential meeting between the classic MCU character and the new ones they just saw. Marvel Comics Know-Galls will begin details of the history of the new character, and some places (Hi!) You will write articles on how post-credit sequence is significant.

Ad

The post-credit scene in "Thunderbolt*" really serves that feature, as it is a reminder that MCC has a third film coming out in 2025. People excited about "fantastic steps: the first steps" will only be excited.

But the "Thunderbolts*" sequence serves a more interesting function. The movie audience has just seen it (one of the best in MCU, honestly) was for depression and trauma. Thunderstorms have all had terrible lives leading to their heroic careers, or they have fallen into a state after their most celebrated day. Thunderbolts/New Avengers are not happy people and a kind of hatred that are good at killing. Indeed, directors seemed to say that trauma was a prerequisite for becoming a superhero. You need to be emotionally damaged if they choose to earn a job that requires constant violence and constant death.

The post-credit sequence shows that thunder/new avengers are not awkward-machines for banter or boys with oily hair as the last series. None of the old avengers is amazed at the miracle technologies around them, as they are just everyday items for them. As such, they usually come across too much study, just admitting that something is strange with "good ... what happened"-in style. The fast -paced Marvel Banter brand that once made the series popular has long fallen into powerless territory. It is said that there are no secret identities in Marvel's film universe. Instead, the heroes show their faces in the public, gather fame, accumulate fanboards and fangers, and sign autographs. The avengers are well known to everyone, and most of them seem to enjoy their glory. When the "smaller" avengers are not recognized, they mix. Heroism, for them, is not so much for the execution of acts of justice from the shadows. It is about getting a loan for their hard work. In a generation that was raised with the possibility of fame online, lurking around every corner, the anonymous hero is anathema.

Ad

Thunderstorms are very different people. They do not want to be the avengers, they do not want to be famous and they really do not know how to do this well. The post-credit scene shows a different kind of extraordinary status quo for heroes. They are desirable (or at least more exhausted) and see their work as a tired obligation. They are not eager to use accessories and toys and do not want to jump into action. The Thunderbolt/New Avengers are placed, Slavic and have been involved in legal battles. One of them reads all day.

The post-credit took a little extra time to determine it. It wasn't just an ad for the upcoming film. The image of the new avengers was supposed to step up and broke Marvel's record in the process.

Ad

Several of my colleagues had a talk about "Thunderbolts*" at today's episode of Daily Podcast /Film Daily Podcast, which you can listen below: