Following are spoilers for "sinners".

If you know what is good for you, you will save every last drop of the latest and undoubtedly Ryan Koggler's biggest job with "sinners", The horror film that could be the director of the director to this day. He was sitting somewhere between "from dusk to dawn" and "No Earth for Old People" (From which Koggler confirmed he pulled him out)Michael B. The Jordandan-Steerer of the spine culminates in a glorious mix of music, monsters and lost souls that arrive right where they should be, and the best part is that it is not even the end.

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Today, post-credit scenes are often decorated with a Marvel logo, so it's a refreshing pace change to see one at the end of the latest Kogller. Here, the director "Black Panther" did not stick not one, but two buttons at the end of the "sinners", and both have a huge value in the violent and vibrant nightmare, he drags us. After Sammy (Miles Catton) left his family behind to look for life and future in music, we unite with him in the blues -bar, titled the night with the audience on his feet. Here, as the acting lists are rolling, Sami is united with two celebrities who thought he was lost by time, just to get back from the past for a last song. It is a wonderful moment for dragging a kogger rug and treatment for those who held around to recover from this southern step fever dreaming of film.

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While time can take his number of qualified guitarist, a surprising visit by the Undead Stack (Michael B. Jordandan) and his Loveubov, Mary (Haile Steinfeld), have proven that they have remained intact, though they have now shaken the killer's wardrobe. Sammy is a hug of his eyes, just for his cousin to explain what happened that fateful night.

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In the bloody last stand against Remmik (Jackack O'Connell) and after Maria fled the scene, the twin brothers remained to fight for death - or we thought. In the last battle, the smoke allowed his brother to go freely, but not before promising that his cousin would allow his cousin to live his life. Now, with the smell of death to retire from the guitarist, Stack asks Sammy to play as he did that night for the sake of old times.

It is a sweet moment intertwined with scenes from that fateful day, with music that allows them to travel through time, remembering the community that gathered to build what Sammy admits led to the best night of his life before things went to hell. Once again proves that "sinners", for the most part, refer to people just trying to find their own form of freedom wherever, along with the hearty history they shared together (that was inspired by his own Koggler). What makes it all sweeter is the musical legend that steps into the older Sammy shoes for the scene.

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While Mary and Stack may have become legends independently (only the kind we should be afraid), Michael B. Jordandan and Haile Steinfeld are in the presence of the legend as the older version of Sammy is not played except the legendary blues guitarist and singer Buddy Guy.

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The eight -time Grammy Award and the winner of the Lifetime Achievement Award set a level that some of the biggest musicians in history hoped to reach them. Talents such as Eric Clapton, IMII Hendrix, Keith Richards of the Rolling Stones and Led Zeppelin's Girias Page, everyone looked at the boy for inspiration and reaching the mastery of the genre he achieved. For Koggler, he was his uncle's favorite musician and a casting selection that was as crucial as everyone else on the project.

In an interview with La timesKoggler recalled their first encounter: "I lowered what the movie was like and he told me his life story about what I was sharing as a kid and going to Chicago and trying to learn how to play. I collapsed crying because everything I had just written in the script, this friend lived." It is a short look, but the one that adds even more authenticity to the details of real life that work as a spine for Koggler's supernatural story, all before returning to the past and showing the young Sammy with the finally emotional environment.

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After flooding the movie with music, so attractive, you've probably already added it to the line to edit your Trip Home list, Ryan Koggler sends the "sinners" to a perfect note with a last performance by the most suitable star. In his first acting role, Miles Catton closes the film like Yang Sammy, proving to be sitting in his father's church, playing us on a stunning translation of "This Little Light". There is no talent, no other supporting talent that the audience does not want to declare, only the "preacher boy" left on his devices and to work wonders with the talent he has.

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Although it can simply be an excuse for Kogler to highlight Caton's unique talents, it is the one to let us slip for a film that has spent every second, holding us. Also, it is a selection of a song, since even while the story of the dream chronicles of the two brothers turn into nightmares, she really focused on the floral talent that took the chance to shine alone even after such intense trauma. It is a personal moment that highlights music as its release, and what sweet it is too. His music, like the monsters desperate to make their own, is timeless and will remain ringing in the head to the last note.

The "sinners" are now in cinemas.