In the early 1960s, the United States felt ready for their biggest decade or Armageddon. The launch of the Soviet Union of the Earth's satellite satellite in 1957 set many Americans on the edge. How did Russian overcome the most prosperous land on the planet in space and what did our leaders do to oppose this disaster? This led to one of the most controversial and closest presidential elections in US history, which showed that Democrat Johnon F. Kennedy is closely prevalent over Republican Richard M. Nixon. Many hoped the country was right, aspirational hands; Almost as many were convinced that we would have sent the country to a particular accident.

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At times like these, people went to their local cinema to avoid fresh hell of the outside world. They would advocate for any fun that promised some catharsis. Romances, comedies, romantic comedies, horror, Elvis Presley ... basically all the genres we make today. And there was no more secure genre than the west. These harsh stories of America follow their manifest fate have attracted some of the greatest directors in the history of the medium, who have often been in a hot search for Hollywood's biggest starvet. Depending on the project, leading men such as Jameseshes Stewart, Gary Cooper, Henry Honda or, if Bud Buticher was in the director's chair, Randolph Scott would make the trick. But if you are looking forward to talking profitably with the country's construction sense of continental conquest (and you have subtly felt the fault of the whole country from indigenous people), you throw Johnon Wayne.

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Wayon Wayne was 53 years old in 1960, but so far, he smoked and choked his way into the collapse of an older man's body. He had another great western in it ("The man who fired at Liberty Walance"), but the fans of the horse operas were on the market for new, more conflicting heroes. And so, in 1960, director Johnon Striges approached the brilliance of Akira Kurosawa's "Seven Samurai" And he introduced the audience to a new type of gun Anticheroj (at the same time accelerating Steve McQueen's film). And you can currently transfer this classic for free!

Kurosawa's masterpiece in 1954 "Seven Samurai" was a hit-catching hit in Japan in 1954, but found even greater success when it expanded to Europe and the United States. The story of mercenaries of swords recruited from victims of peasants to combat predatory bandits, was a universal burner of David-Goliath. Hollywood saw signs of the dollar in this premise and assigned the western master of the Bedunid screen, Johnon Striges ("Bad Black Rock Day", "Batz in the UK Coral) to process the film in the American idiom.

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Armed with a solid scenario that is credited to William Roberts (which was strongly overwritten by Walter Bernstein and Walter Manumman's ingenious likes, Sturges mounted a confident, expansive and exciting West that repeated the audience's expectations of what could do. It is not a transgressive or revisionist movie à la, soon-arams Spaghetti Western or explicitly violent Oacs of Sam Pekinpah, but it is a vision of the West where survival is a contingent of attractiveness to a less malicious class of illegal. And has Steve McQueen Playing it colder than everyone on the screen (and, obviously, undermining the top Top Brenner screen).

You can watch the "gorgeous seven" free with tub, Pluto or Roko ads, but I would like to high Suggest that you choose to rent elsewhere so you can be absorbed in the wide screen compositions of sturges, without commercial interruption.

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