Explosion sat with Nimrod Harel, a famous mentalist and co-founder GameCkenterto discuss how his team revolutionizes the future Television production.
With the background for the preparation of psychological and visual illusions, it now applies its unique world of virtual production, eliminating green screens, physical kits and budget baloning in favor of smooth, economical technology that provides visual costs of blockbuster.
Already involvement of several game shows, the gamechanger breakthrough quickly reshapes the entertainment landscape as we know.
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Nimrod Harel converts the illusion to innovation with GameChanger virtual production technology

For Nimrod Harel Illusions have always been another nature.
"Illusions were my life for six or seven," Harel said Explosion. "I started doing it very early. But basically, GameChanger takes my hobby and a profession in Max in a completely different field."
As a spicy mentalist, Harel knows the thing or two about deception, except now, instead of a thorough and spotlight, his canvas is the premium virtual production technology.
"When you see a mentalist or illusionist, you know that you are witnessing some kind of magic. You may not know how to do it, but you understand that he fools you," he explained. "With GameChanger, the illusion is flawless because you don't even know you're fooling yourself."
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It's magic behind the technique. By removing the green screen and physical restrictions on traditional sets, GameChanger creates completely immersed environments that the audience accepts as a reality, without never questioning the mechanics behind them.
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GameChanger breakthrough technicians 300+ episodes abroad

What truly sets GameChanger, except that only its elegant visual or non-relevant sets, it is a revolutionary, patented technology behind it.
"This is patented technology and method, and it is completely new," Harel said Explosion. "We're a blue ocean. We don't have competitors in this field."
One arrester comes from Portugal, where GameChanger helped introduce a "piggy bank" to life over more than 300 episodes. Production are separated by visual visual visual platforms in which the host and competitors, prevented moving parts that clear into the magnetic phase, and family members who viewed futuristic pods, and all surrounded by a massive oval LED screen.
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"This is the greatest show ever broadcast in Portugal in terms of production value," Harel said. "And from the expense perspective, it's one of the most right shows ever. The difference is crazy. That's why we call him Gamechanger."
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GameChanger's virtual production of debut on GSN with Bingo 30 feet machine

Two emissions that are powered by GameChanger were only recently premiere on GSN, one of them "Bingo Blitz", where a huge virtual bingo machine, 30 feet high, is central space.
"This is the most beautiful, biggest TV production we've ever seen," Harel said. "And you don't even wonder how it was done. The illusion is perfect. So in some way I do illusions, just a better kind of illusion."
"If you want to shoot something like this in real life, I'm not sure there's even a studio big enough in the United States," Harel added. "But we don't need it. Everything is an illusion. Even close, looks flawless."
This realism is achieved without one green screen in sight. "Green screens will always look like green screens," Harel said. "They are not good enough for thorough televisions unless you have savage budgets for cleaning each pixel. We do not use the green screen at all."
Instead, GameChanger takes a revolutionary approach after production. There is no special hardware on the set, no risk added and no shooting disorders. "We say manufacturers: Let's make our show. Shoot the way you normally work. Then we come after that we are doing magic," Harel explained. "All means of CGIs are implemented in the software, so when the editor enters, he feels like they arrange a shot in a massive, spectacular study. They don't even realize they don't understand."
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Manufacturers, often careful than new technologies due to costs and complexity, can inhale easily. "We're invisible for them," Harel said. "And it's one of the biggest breakthroughs. This changes the game."
From a little study to massive spectacle: GameChanger re-invented "Tic Tac Dough"

Another example is the "TIC TAC test", the iconic exhibitor comes out of the 1950s. "They asked us to make facelift," Harel said Explosion"And now we call it a spectacle."
GameChanger is shipped with a massive robotic LED screen, one moving, rotates, and even dances during the show. "Without technology, you can create shows. But with that you can create glasses," he added.
Harel also revealed Explosion That the show is shot in the "smallest studio in the joint", so small, in fact, that the production team had to go down even to satisfy their unique needs. "Everything we had was the LED screen and stage," Harel said. "And yet, what we created seems to be shot in the multimillion dollar set."
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How GameChanger turns small studies into massive sets

Using the upper low corner images and ownership digital processing, GameChanger can manipulate spatial dimensions to make compact studio look like cleaning, a high budget environment. "
Do you want the camera to shoot with 30 feet in the air? We can do it without actually putting the camera there, "he explained." We just reduce ourselves to the world and press the button. He's wild. "
Harel even broke the transformation in detail, showing the parts of the raw study. "See areas I am marked in red? It's a real set," he said. "Everything else, audience, massive screens, surrounding surroundings, is CGI. And that cannot be placed inconsibly. Now you have a show."
This level of efficiency and realism is exactly what positions GameChanger at the head of Virtual production revolution, providing a maximum spectacle with minimal oversemen.
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