The only thing more stressful than having strollers before a special occasion is to have an external party to strengthen that wave of anxiety ten times under the threat of death. In the top new thriller of Christoper Landon "Drop", which /Movie is Ryan Scott boasted as lean, pleasant driving in his reviewMegan Jahi plays a single mother who finds herself on the first date of hell when she begins to receive a series of threatening messages on AirDrop. If she does not follow the specific instructions of the mysterious figure to kill her date, then her son will die, as well as someone who will try to warn her in the process.

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Landon makes the jump from a horror comedy to a high tension thriller with ease, creating an attractive sense of paranoia, as our main character is grilled with the terrible condition in which it is found. Wes Craven's "red eye", And they are wrong. The last film is fun, if it is small, playing with cats and mice in which Rachel McDads is threatened by Silian Murphy during a red eye flight as part of a larger (and deadly) plot. As for me, I would like to turn your attention to the 2013 grip thriller with a similar premise - the one you probably haven't heard of, but what he deserves to look at.

In "The Great Piano", Elijah Wood is played by Tom Selznik, a concert pianist, omitted with anxiety, as he was supposed to make the long -awaited return to the stage. During five years earlier, Tom (the proteon of the respected composer Patrick Godurex, played by Jackec Taylor), strangled while trying to finish the last few notes of his mentor's complex, La Kinquet. But the entire audience in Chicago came out to see Tom Honor his now died mentor with the musical comeback of the century.

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If the weight of expectations was not heavy enough, Tom's big night becomes much more burdened when he realizes that he is directed by a sniper (Johnon Kuzak) that can see his move. If he plays a wrong note and did not complete La Sinquet to perfection, he would not only die, but his wife of actor Emma (Kerry Bish), who sees from the headquarters above, will also be killed. Needless to say, this makes Tom develop an even more intense case of fear for fear.

"Isn't it incredible with what you can get away with a crowded theater when all eyes are on stage?" He asks the uncovered antagonist of Kuzak.

The tree is the perfect actor to be thrown into the orchestral meat grinder. He is a flexible performer who can play something from Hobbit with a wide view passing through the middle country in the "Lord of the Rings" The cold -blooded serial killer in "Son City", but his sensitivity makes a quiet layer in the Grand Piano that plays for his advantages. He is phenomenal to look terrified of the invisible center of attention. We see that Tom is a kind of person who is very much on the edge before discovering the red marker that changes the course of his night. It just makes fear so much more famous when we start to see signs of a much more evil concert that will happen.

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The ear piece provides auditory correspondence with a mainly unprecedented killer of Kuzak, who wants Tom to remain focused, but presents himself as a cat that simply cannot resist playing with his food. He talks to an upset pianist with confidence to someone who believes this can descend much faster than it appears. Kuzak has an explosion as a game of puppets masterWaiting for the possibilities to pull on Tom's strings to see if they will adhere.

The central player in the symphonic conflict is composer Viktor Reyes, whose result stunning the heart highlights sound tension through many verbal sessions of Wood and Kuzak. It even works without a physical threat, as it manifests itself in an internal battle, you can see Tom leading with it. The high and falls of the concert reflect the extreme pressure of the musician at the same time on the hook for his audience, wife, orchestra and most importantly, his legacy.

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We seem to have moved away from high thrillers for concepts that Use the only location well. The Grand Piano is a great example of what is being done properly. The film is elegantly directed by the composer, turned into director Eugenio Mira, who brings a great suspension from the Chicago audience as the ultimate scene of terror. It is a shame that Mira did not direct a feature film from this; He brings a real talent from an old school to the table, allowing the film to advance to the marriage of visual and auditory excitement.

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"The Great Piano" owns the spirits of Alfred Hitchcock and Brian De Palma, as the camera is having just as much fun with Wood's pianist as well as the killer. I left left on the competition, which brilliantly unites someone who walks the throat with a glass pattern against a bow that quarrels against the wires of the violin. Between the beads of sweat and the wandering of the eyes, the camera is felt in catching the psychological anxiety of every inch of the face of the tree. The endangered threat of death is highlighted by the hellish red background in which it is wrapped.

One of the more attractive talents attached to the film is "La La Land" and Director "Babylon" Damian Jazelwho wrote his scenario. There are points where the tribulation to play a flawless concert works as a dry escape for musical intensity Jazel would inevitably bring to "Whiplash". Jazel is being considered His visit to the Grand Piano set An invaluable experience as a floral storyteller, watching the camera movements are adapted to the previously ordered music setting.

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All in all, the "Grand Piano" is a good time on a pulp that does not spend a second traction in the chaos and, at 90 minutes, does not exceed its welcome.

The Grand Piano is currently moving in the premiere video.