From 1989 to 1999, the Disney Renaissance was in full swing. Starting with the "Little Mermaid" and a lock with Tarzan, the 10 Walt Disney Animation Film Study, produced at the time, marked critically and commercially successful resurrection for the studio. The studio had previously fought in 18 years after Walt Disney's death in 1966, with Films like "Black Kazan" are subjected to massive problems with production and bombardment at box office. The success of the Disney Renaissance coincided with the expansion of the domestic video market, and the direct-video sequels were produced by some of the biggest hits of the study, with Aladdin, the Beauty and the Astter and the "Lion King" among them. Until the 2000s, sequels to direct-video for Pinocchio, Dambo and Aristocaths were also in development, but eventually abolished when Johnon Laseter took over as the main creative officer of the entire Disney Animation in 2006.

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In 2001 The discovered film was supposed to follow the title of flying elephant, his mouse Timothy P. Mouse and numerous other circus animals are excluded from their passenger circus and climbing a dangerous journey through the metropolis to bring it home safe and sound. Along with the introduction of new circus animals, Dambo's elusive character will make his debut on the sequel, and the prospect of involving this particular character will bring tears to many spectators.

In an interview with Animated viewsScreenwriter Robert Rice has affected the material that he helped develop for "Dambo II". The new characters include a large number of circus animals that each represented a different stage of childhood. However, the most significant new character to be introduced was M -Umambo, Dambo's elusive father. Although no specific details have been revealed about how Mr Umambo were not included in the story, the audience would finally learn details about him. According to Rice, his creative control with Disney Video Displays differed:

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"I was given great freedom to some projects, while others had elements that I had to keep based on the previous drafts that came before me - certain pieces, characters, topics, etc. That the studio was married or already had funds for it. If it was something you were developing early, you might have a much more freedom.

The Disneysi studio reportedly lost enthusiasm for "Dambo II" in 2002, after the Supervisor of the Dambo Jo Grant story was not impressed with the computer animated tests for the sequel. In the end, the studio executions changed their minds and returned to the ship with the project in 2005, with Rice writing the script. He also wrote scripts for "Pinocchio II" and "Aristocaths II", and was also ordered by Disney to write a script for The "Snowy Queen", which will eventually be re -examined in "frozen".

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Unfortunately, for Robert Rice, the Disney Animation CCO John Lasseter will cancel most of Disney Studios films, which were produced, including "Dambo II", "Pinocchio II" and "Aristocaths II", as a result of Laseter's belief. (Ironically, one's own theater issued a sequel to laseter "Cars 2" will continue to harm the reputation of the Animation Studio in Pixar.)

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Today, the Disney Animation Studio (and, for better or worse, the whole Walt Disney company) are not afraid to follow their films. This time, the sequels that would otherwise be transferred to the previous market of direct-video-video are given treatment on the big screen. While we can debate the quality of films like "Ralph breaks the Internet" or "Frozen II", it is clear that Disney is aware that the audience will come into rides for theater sequels to some of their biggest animated hits. After all, Moana 2 was originally developed as a streaming Disney+series, just to be processed for a theater edition. While some may claim to be the wrong creative decision on "Moana 2", box office results show Disney made the right decision, Perhaps completely arguing about the death of exclusive streaming blockbusters.

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