The Simpsons is one of the best institutions in America - and nowadays, one of its most reliable. Even after 36 seasons, Primetime's longest television series continue to produce timeless half -hour episodes (and the occasional hour special) It shows why it deserves to be after so long.

Of course, there is always a crowd "This show was better in the 90's", which could not dare imagine newer episodes to be nothing but garbage. However, they have a point. The previous seasons of the "Simpsons" were not only precisely written and flawlessly timed, but have excellent animation and writing of phenomenal characters. Therefore, although there is still a modern episode, our list of the best episodes of the "Simpsons" so far consists of episodes of seasons 4 to 6.

Among the best episodes, one usual element that appears a lot in that list (at least in the episode of credits) is the name Conan O'Brien, the other most reliable institution in America. Comedian, host, actor and writer Hosted one of the most fun Oscar ceremonies in recent memoryAnd over many decades he has been part of some incredibly well -made comic projects, since his days writing for "Saturday night live" to his recent trip "Conan O'Brien must go".

Several things had a great impact on pop culture as the "Simpsons", so Conan's work on the show ranks fairly high in terms of his inheritance. In addition, all these are quite good episodes (and Some giants for all time). Whether you are on stage in your Simpsons trip you start transmitting specific episodes based on writing or directing loans, or you are on posters-high posters and want to rethink one of its best things, rank every episode of "Simpsons". Unfortunately, there is one episode that will never do: Sequel to "Island Dad of Dad" that Conan has reworked for And he would reportedly be in the center of the prince. But let's dig in the episodes we were lucky enough to get from the comedian.

There is a lot to be loved in this episode. The segments are great, with "Homer against the devil "is the best in all" Horror Houses ", And the references are funny and creative. However, this episode is the lowest rank, simply because Conan O'Brien was not so included this time around. With the comedian already working on "Late Night at Ann -Bi", O'Brien wrote only the wrapping segments in which Bart walks through a gallery with frightening images and introduces every new segment.

The sheaths are funny, especially the first where Marge scolds Bart for not warning people about the heinous and joyful nature of the stories they need to see. The visuals of frightening images give the episode a unique look of endless imagination, and Bart as a serious host in the style of Serling is pretty fun to watch. However, the best parts of the episode really don't include O'Brien, so this goes to the bottom of the list. To better things ...

Most of the "Simpsons" wounds treated Bart as a joke, often a disturbing child who still stole America's heart with his surplus of attitude and single -stage. Subsequent seasons have begun to reduce Satan's net to Satan's net. However, some of the best episodes of the show treat Bart as a disadvantage, vulnerable, eternal 10-year-old boy (at least to the final of the possible series) still learns about yourself and the world. One such episode is "New Child of the Block", an episode that shows Bart's speech aspect and also his emotional side like writer Conan O'Brien with the heart of the audience in a Bart story has a light bulb on his new funny bad girl next door, Laura.

Bart completely changes his attitude and behavior (temporarily and not very real, of course) and shows great emotional vulnerability in interacting with Laura. There is even a great dance sequence where Bart and Laura are turning into Fred Astair and Ginger Rogers. Then, O'Brien pulls the rug under the audience and pulled out Bart's little heart when Laura reveals that she actually hangs out with local bully Jimimbo Onesons. It is a great episode that reminds the audience that Bart is still only a child with a big heart.

Meanwhile, the funniest part of the episode includes Homer in the classic "Simpsons" shenanigans that you can apply and quote them in everyday situations. This time, Homer goes into the seafood wrist that you can eat and sue the restaurant for expelled while it was still hungry (after swallowing every item in the restaurant). It's absurd, funny and completely funny.

Like Bart, Homer was mostly reduced to a single trait over the years. The man who was once a relative mid -class father of three with deficiencies, but a well -intentioned heart eventually became the only stupid man around with a little in terms of redemption qualities. This makes episodes like "Homer goes to college" increasingly special, because they understand the fine balance between making Homer stupid, but relative instead of making it completely useless.

When it becomes clear that Homer is not qualified to perform his inspection of nuclear security inspection, he is forced to go to college to study nuclear physics. The episode sees Homer on his most childish and immature, as he passes most of the episode, acting as the character of Johnon Belushi in "Animal House", shouting "Nerd!" On the first person he sees how he goes to the campus, making Banksi and respects everyone.

And yet, even if Homer is literally the butt of many jokes (including literally little in the bee butt), he also has an emotional bow this episode, because he really comes to worry about the nerves they teach, as well as the importance of education. Seeing Homer seems to believe in his live experience makes him better than younger academics to destroy his soul at the first lecture is deeply relative and warm.

This is the last complete episode written by Conan, and he came out at a high level. Outside of writing, this episode gives several top Homeri poses and expressions. From his smuggled face, while he tells him, he is an expert on nuclear physics, to his change "I am as smart" as the burnoid behind him burns, there is a lot of funny "Simpsons" of all time here.

This is that. This is the only best episode of the "Simpsons" so far, the episode Conan O'Brien said it would be something that people remember the most - and for good reason. Deriving from O'Brien's Love to "Music Man", The episode is part of a greater change in the "Simpsons" that goes from relatively grounded and simple satire to American life in the surreal world that took advantage of the full advantage of the animation media. The rules are not applied here. And everything goes until it's funny. Fantastic sequence where skin is cut to half of the giant mechanical ants? You got it. Escalator to nowhere? Why not. Leonard Nimoy gave a trippy speech? Surely.

This episode has it all, packing too many jokes and panties for a short time, which is impossible to cover everyone here. What begins as a direct story of a man (Phil Hartmann, delivering performance at the top), which convinces the notorious stupid people of Springfield to invest wealth in an unnecessary monoral descends into chaos, first in the form of a phenomenal song, then in a "speed" scenario. There is a bit of "Batman's a Sciention's a Sciention", Homer becomes a Fondic family of ownership in the conductor's car ("I call the big Bity") and much more.

And yet, once again, Conan knows how to balance the heart jokes. Even if Homer is extremely stupid in this episode, there is something sincere and warm about how happy Homer is for Bart to be proud of his new job as a monural conductor. It is the heart of the "Simpsons" and why it lasts so long. Under all jokes, surreal moments, more and more cartoon reality, has a family idea just trying best.