Rod Serling's "Dusk Zone" was the work of the Ubova It is due to the constant contribution of the competent writers. While Serling wrote a piece of episodes, authors such as Charles Beomont, Richard Matters and Ray Bradbury often bought stories that were considered "appropriate" for network television. Some were adaptations of classic stories with a quintessenian twilight turnaround, while others got out of real life incidents by re -interpreting them for television audiences. Regardless of where the source of inspiration was lay, the "twilight zone" used the social comment at the forefront, criticizing everything from mass moral hysteria to the uncontrolled consumer in a hyper-capitalist society.

Among the writers contributing to the show was the author of the science of George Clayton Nsonson ("Run's Run", who wrote several important episodes, including Robert Redford's Roberwell "Nothing in the Dark", "Penny for your thoughts" and "pool game". When he was a coming writer, Nsonson joined the South California Writers' School, where he exchanged ideas with peers like Beomont and Bradbury. Through them, Nsonson is introduced to Rod Serling, who will continue to write a script based on the nsonson story "We all die". This was just the beginning of stable collaboration, paving the way for the science science writer's career. Nsonson is also known for scheduling the first telecast episode of Star Trek and The story/script for the 1960s "Ocean 11."

However, not everything NSONSON wrote about the "twilight zone" culminated in the broadcast episode. In Steven Jayei Rubin "Encyclopedia of the Dusk Zone"Nsonson spoke in length about" Sea Change ", a story she wrote was rejected by one of the show's sponsors for his dark theme. What exactly was the episode to appear? Let's dive right into it.

According to a 1994 NSonson interview in "Encyclopedia" Twilight Zone, "Serling bought the" sea change "from him immediately because he" loved things that were tense and gloomy "or something that caused" dangerous, or mysterious or poetic mood ". This was in line with the type of stories NSONSON sold to Serling, such as the "execution" of Season 1 (revolves around the heinously publicly hanging) or "Four of us die" (which contains the deaths of many, including a person who changes face). The "Sea Change" was not different, but one of the sponsors of the second season show had other ideas:

"And then I did the one called" sea change ", which is the story of a person who cuts his hand, and he repeated his hand. But what he does not understand is that the hand is (also) grows a man. And there is only room for one of them. And it is a frightening story.

Details of this distorted story can also be found in the Rhode Serling magazine "Twilight Zone", which published horror fiction, along with wide articles on the "twilight zone" (and its revival) between 1981 and 1989. The magazine of the magazine October 1981 Includes an excerpt from the "sea change", which details the nuances of the NSONSON story and the reasons for its rejection. A short story, the show's food sponsor believed that "the heinous aspect of Sea Change's body's horror" would destroy viewers' appetites (hence the impact of ads by the company), encouraging the producer of the series Buck Houtton. NSONSON has agreed to buy the story back on the condition that he is given the chance to write an original telephone for the "twilight zone". Houtton agreed, and the rest is history.

It is a shame that "sea change" never got a chance to bloom as an episode "Dusk Zone". Nsonson's story is not ashamed to be disturbing or strange and has a strong, eclectic characters stuck in a hellish scenario. You can read "Sea Change" by excavating digital versions of magazines that are now not printed, and it is a story that is certainly worth investing. After all, she won the Balrog (now unstable) award for superior short fiction achievement and is considered one of NSONSON's most valuable works in the genre.