Netflix issues a lot of original material - or "content", as unfortunately it would call it - so it is very easy for things to get lost in the shift (and sometimes The originals will even disappear from strimmer or just You give up a way too much). If I am honest, I can say a large percentage of these originals can be completely forgotten for disposable. That's why when something really arises, it's worth noting and imposing it. All this is to say that "adolescence", a new limited series of Strimmer, is not worth looking at, but also one of the best originals that Netflix has released so far.
Created by Jackack Thorn and Steven Graham (which also co-stars), "adolescence" is a frightening, disturbing, often narrative story told by a unique hook: each of its four episodes takes place in real time, through a long-standing download. While one of the episodes remains (mostly) rooted in one room, the rest travel freely around, which means that the camera is constantly moving, following the characters from one location to another in one download. A cynical viewer can reduce this as a trick, but "adolescence" uses this approach to make each episode more intense - the lack of cutting only increases tension and pressure and results in almost hypnotic quality. We hesitate to look out of fear that there is nothing (Similar to the recent hit of Mads horror).
Adolescence is not a mystery of murder, but it hangs you as one
"Adolescence" is not wasting time, starting with a heart loss sequence in which police burst into the home of the UK suburban and arrested 13-year-old Jameimi Miller (Owen Cooper) for the murder of one of his classmates. Jameimi's parents, Eddie (Graham) and Manda (Christine Tremarko) are understandably upset before their young son's eyes were expelled, and Ieeimi seems to be terrified, even as an arrest officer, detective inspector Luke Baskombe (Ashley Walters).
With that setting, you may think that "adolescence" is a mystery to murder. But by the end of the first episode, it becomes abundantly clear that Jameimi is to blame - there are literally security footage showing him that a girl is stabbing to death. IEEIs continue to claim to be innocent, but his guilt is not really a concern for the show. Instead, "adolescence" is trying to investigate why a 13-year-old boy would commit a violent murder. Is he a psychopath? Are his parents guilty?
Each episode jumps forward a little on time, and a larger image becomes clear. While Jameimi is a clear child, he is also indoctrinated by toxic rubbish "male rights", whose likes often spread from impersonal spirits like Andrew Tate. With this approach, "adolescence" could easily be dipped in the special territory of the atmosphere, essentially considering children's parental fears these days, spending too much time on that talent internet. But "adolescence" is smarter than it, enlarged by its unique films and strong performances. Everyone here gives all theirs, diving into emotionally charged roles that feel original and authentic.
Adolescence is not easy to see but deserves to see
Almost every episode of "adolescence" feels like a stand-by-this there is no "excellent episode", but a collection of four attractive stories that everyone lands on the viewer's intestines. The first episode is for Jameimi's arrest. The second episode was visited by Bascombe and his partner (Jay Marsay) visiting the Jameimi school and thought it was something like chaotic hell. The episode three is particularly unusual, as a clinical psychologist, played with a certain Stominism by Erin Doherty, has one-to-one interview with Jameimi leading to a breakthrough.
The final is something of the epilogue, showing how Jameimi's family is struggling to continue their lives in the wake of such a terrible, crushing event. I will not spoil what is happening, but I will say that the last moments of this latest episode have broken me emotionally, thanks to Graham's fatal performance as a father coming to deal with his son's actions and his potential personal failures.
"Adolescence" is not an easy watch - every episode is disturbing in its own specific way. And yet, the end result is remarkable, and proof that Netflix can actually get something great, not the same old forgotten slope that mixes through the algorithm. I will not say that will Enjoy Something like a cold and cruel as "adolescence", but this is a series of Netflix that deserves to be seen.
"Adolescence" is now moving to Netflix.
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