Many directors are known for shooting many downloads. David Fincher's foam for multiple downloads has led to many demanded days on the Mindhunter setwhile Stanley Kubrick's grueling methods are notoriousSuch as when he made Tom Cruise walk through the door 95 times on the "Eyes Wide -Closed Eyes" set. The question of whether the effort involved in this approach actually gives better results than something similar Clint Eastwood's commitment to using first download It remains unanswered at this point. But sometimes, the shooting takes results in something undisputed. Case in point: one of Al Pacino's most memorable ranks in Michael Man's "heat".

The 1995 crime thriller remains a touch of the genre, and not only because it finally saw that al -Pacino and Robert Deniro share a scene and are characterized by one of the best fighting guns that were once placed on the screen. "Heat" is a masterpiece -the way it crystallizes MAN's fascination with the concept of criminality and the individuals who do it. For MAN, the term criminal is too rejected. People who commit crimes are human beings that show all the complexities and contradictions that come with it. Hence, the extraordinary way in which Pacino's detective, Vincent Hannah and Deniro's career, Neil McCauli, play each other in such a way that you are not fully sure they are very different.

In other words, the "heat" has a much more nuance about it than your typical crime thriller. But that does not mean that the whole thing is tinted. In fact, aside from the aforementioned shootout on the streets of the center of Los Angeles, one of the highest moments of the film is nothing but tinted. That moment is, of course, delivering the line of Al Pacino, "Because she has a big butt!" On the stage where he interrogates Alan Marciano on Hank Azaria - what is happening was not only the result of MAN looking for multiple downloads, but really surprised a young Azaria.

Al Pacino's play like Vincent Hannah is one of his best so far, just because he combines his ability to shade with his ability to chew the absolute hell of the scenery, yet somehow still works as a cohesive, credible portrait of slowly expelling a policeman. B

Y That point, Pacino was well established and felt comfortable enough to take some big swings-something Michael Man knew how to use it in his favor. Meanwhile, Hank Azaria - who recently tried AI as a potential replacement for his voice acting on the Simpsons - It was relatively inexperienced. He has just begun his film career five years ago with a small role in "Beautiful Woman" and just started breaking through the 1994 "Quiz Show".

When Azaria, whose character was an affair with Ashley's Charlene Shiherlis, got his part in "Heat", Although it was. It must have been a great thing to know that he would share a scene with the legend on the screen. What he was not fully prepared for, however, was a multiple approach to MAN and the insincere improvisation that would boost Pacino.

After Vincent Hannah enters the office of Alan Marciano, he is forcing him to admit he was involved in Charlene Shiherlis before screaming the immortal line, "because she has a big ass, and you have her head to the end." According to Azaria, this was completely unexpected. During Show Howard Stern The interview, the actor, said: "Michael Mann is doing a lot of downloads (...) and you'll get lost in that." He then revealed that this approach was that Pacino raised the crazy:

"On Take, whatever it was, it was 70, Al finally, probably out of boredom, but he just wanted to switch (s) just scream. He made the line you knew, (in a more restrained tone)" because she had a big butt, "he did so, and then he suddenly exploded.

But dealing with MUNA MULTIM Access and Pacino's makeshift outburst has certainly worsened by the fact that Azaria was on a tight schedule.

Hank Azaria explained his experience with "warmth" in an interview with Vanity fairwhere he revealed he shot the scene with Al Pacino on his 30th birthday. Not only that, his day did not end with Pacino screaming in his face. "I shot 24 hours directly," the actor explained. "I shot all night on" heat "and then I went right in the" BirdCage "set. Azaria played Agador Spartak in Mike Nichols' comedy in 1996 "The BirdCage" with Robin WilliamsAnd he apparently made time during filming to record his "Heat" scene.

Of all the directors they should have for this one scene that Azaria had to squeeze between filming his other film, Mann was certainly one of the most not helping. Just because, as Azaria said, he "shoots like a million that takes". Although it may not have been ideal for Azaria, who was trying to return to The Birdcage set, the director himself claims that multiple downloads are not only the best approach in general, they are the best way to get the pacing firing of all cylinders. As Mann said Diversity:

"The best download of Al is always five, six or seven. Never the first two. He is experimenting around, and then after five, six or seven, maybe it's a small change. After that, he will bring a takeover that was fantastic. "

According to the director, Pacino went one step further in his "Heat" scene with Azaria, asking MAN if he could do "wild". It is likely that the takeover that made the last reduction, but you must wonder how Azaria was held under such circumstances. According to MAN, he did not warn the young actor of his and Pacino's method, so the "big butt" line was not the only surprise of the day. As the director said, "Al just turned this guy up and down and shrinked loose, and that look of shock and admiration of Azaria's face is because we go completely from the script into something total wild."

Fortunately, all this added to the legendary scene in the best movie Michael Man He ever did.