It has become a fun act of pub -trivals to be able to expose the legion of the desired performers who started their start to the big screen with acting in horror movies. However, it is less common to learn about the actors known for their roles in horror films that turn to directing and leaving nomination for the Academy of Best Director Award in this process. But that is exactly what happened to Brady Corbet, the director behind one of the advantages of best image (during writing) and a movie he called /film Chris Evangelist "Excessive Triumph" in his review"The brutalist".

Corbet, for those who are not known, made his characteristic directorial debut in 2015 with "Leader's Childhood". Loose adapted by Jeanan-Paul Sartre's story of the same name, the film focuses on an American boy living in France with his authoritarian parents during Versailles' contract and exploring the influence he has on his life. His next movie, "Vox Luxury" was a criminal underestimated music drama with three parts Starring Natalie Portman for a musician whose breakthrough in the industry came after she survived a mass shooting in her youth.

This is to say, the stories Corbet has chosen to receive, are dissections of ways our most formative experiences continue to influence our lives well in adulthood. He is a director deeply invested in the psychological consequences of unfavorable experiences, and the "brutalist" is no different. But this is a pretty pair of course when he sees Corbet's previous career as an actor. He made his "thirteen" debut at Catherine Hardwick, playing Tracey Freyland at Evan Rachel Wood's brother, a character who sees his younger sister, is involved in self -destructive behavior after turning 13 years old. Next year, appeared in "Thunderstorms", the mass disaster in the box office It ended up with actor "Star Trek" actor Athonatan Frekes, a directed career, but he was also thrown into the "mysterious skin of Greg Araki", a devastating portrait of the effects of childhood sexual abuse as survivors enter their teens.

But probably the most notorious role of Corbet was in the remake of Austrian writer/director Michael Haneke in 2007 of his own brutal, satirical psychological horror-triller, "Funny Games".

The original "Funny Games of Haneke" were released in 1997 and focuses on a family visiting their vacation, just to come across a pair of "ITEUBERS" young people who manipulate their way to their house to terrorize and torture family For seemingly not obvious reason. A decade later, Haneke made a remake to shoot their own English -speaking audience film, with Tim Roth and Naomi Watts taking over as a couple of rest and Michael Pitt and Brady Corbet played by young men, known as Paul, known as Paul, known as Paul and Peter.

Paul is a peaceful, perverse, calculating leader of the duo and clearly occupies a much greater sense of enjoyment of torture and reinforcement with his victims. He is also a bully of Peter, often antagonizes not only to keep him in his place, but also to cause aggressive outbursts. Peter is impulsive and violent, but still relies on whatever he ordered Paul. Of the two, Peter is also the one who is unaware of being in the film, as only Paul breaks the fourth Wallid towards the end of the film.

Whatever, both are relentless killers who, despite their partnership, are cruel to each other, with Paul constantly collecting Peter and Peter's weight. While doing so. We never know how gender and Peter came to find each other or why they were inflicting all this family pain, making their crimes even worse. There is no logic (no matter how dark) of their actions, only humiliation and death. "Funny Games" is, in my opinion, The best American remake of international horror film everAnd it's great because of Pete and Corbet's performances.

So, the next time you see the "brutalist", remember that this brilliant work of the cinema comes from the same man who once spoiled Tim Roth's knees with a golf club.